考博英语作文背诵经典(带翻译) j_.5r&w
01 The Language of Music t?'!$6
A painter hangs his or her finished picture on a wall, and everyone can see ^i}
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it. A composer writes a work, but no one can hear it until it is performed. SF<c0bR9
Professional singers and players have great responsibilities, for the Xn%pNxUL
composer is utterly dependent on them. A student of music needs as long and 7G>d
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as arduous a training to become a performer as a medical student needs to `I,,C,{C
become a doctor. Most training is concerned with technique, for pv Gf\pu
musicians have to have the muscular proficiency of an athlete or a ballet suzZdkMA
dancer. Singers practice breathing every day, as their vocal chords would ?qWfup\S
be inadequate without controlled muscular support. String players practice 4k@5/5zsM
moving the fingers of the left hand up and down, while drawing the bow to ]33>m|?@
and fro with the right arm -- two entirely different movements. v63"^%LX
Singers and instrumentalists have to be able to get every note perfectly in <y NM%P<Oy
tune. Pianists are spared this particular anxiety, for the notes are W)f/0QX}W
already there, waiting for them, and it is the piano tuner's responsibility =t H:,SH
to tune the instrument for them. But they have their own difficulties: the rcC<Zat,|
hammers that hit the strings have to be coaxed not to sound ~2QR{; XQ
like percussion, and each overlapping tone has to sound clear. L'0B$6
This problem of getting clear texture is one that confronts student yU-e3O7L
conductors: they have to learn to know every note of the music and how it \Yc'~2n
should sound, and they have to aim at controlling these sounds with E4~<V=2l
fanatical but selfless authority. L"4mL,
Technique is of no use unless it is combined with musical knowledge 6&