PART I: Cloze (20 points) :j9{n ,F
Directions: Choose the best word(s) for each numbered blank. H1
rge<
Production workers must be able to do statistical quality control. Production workers must be IBb3A
able to do just-in-time inventories. Managers are increasingly shifting from a "don't think, do what {NXc<0a(
you are told" to a "think, I am not going to tell you what to do" style of management. {MU>5\
This shift occurs not because today's managers are more ___(1)___ than yesterday's managers, :
m$cnq~h
but because the evidence is mounting that the second style of management is more ___(2)___ than G`PSb<h\oc
the first style of management. But this means that problems of training and motivating the work 0e9W>J9
force both become more central and require different models of behavior. ~"!F&
To be on top of this situation, tomorrow's managers will have to have strong background in 1HL}tG?+#
organizational psychology, human relations, and labor ___(3)___. The MIT Sloan School of quickly BbUZ,X*Y
management attempts to ___(4)___ our understanding in these areas through research and then o0&jel1a
quickly bring the ___(5)___ of this new research to our students so that they can be leading-edge Pc
C9)x
managers when it comes to the human side of the equation. N,V%/O{Y
The first three decades after World War II were ___(6)___ in ___(7)___ the United States had a D`0II=
huge technological lead ___(8)___ all the rest in the world. In a very real sense, ___(9)___ E.Xfb"]
technological competitive. American firms did not have to worry about their technological .cN\x@
3-j
competitiveness because they were ___(10)___. %h 6?/
But that world has disappeared. Today we live in a world where American firms ___(11)___ yd[}?
have automatic technological ___(12)___. In some areas they are still ahead, in some areas they are 7)S`AQ2:)
_ B5*{85p(u
__(13)___, and in some areas they are behind, but on average, they are average. P\KP)bkC
___(14)___ this means is that American managers have to understand the forces of technical }legh:/*?O
change in ways ___(15)___ were not necessary in the past. Conversely, managers from the rest of sy+1xnz
the world know that it is now possible for them to dominate their American competitors if they Q]Q i
understand the forces of technical change better than their American competitors do. ^-cj=on=Q
In the world of tomorrow managers cannot be technologically ___(16)___ ___(17)___ their 01}az~&;35
functional tasks within the firm. They don't have to be scientists or engineers inventing new i%+cPQ^o
technologies, ___(18)___ they have to be managers who understand when to bet and when not bet SLpB$puS
on new technologies. If they ___(19)___ what is going on and technology effectively becomes a D oX!P|*
black box, they ___(20)___ to make the changes. They will be losers, not winners. 6 /gh_'&
1 a. enlightened b. enlightening c. enlightenment d. enlighten &Z/aM?
z kQV$n{
2 a. sterile b. producing c. productive d. extravagant ^_#0\f
3 a. economics b. economic c. economy d. economies t%ye:
4 a. take b. arouse c. rise d. advance c<L^ 1,G2
5 . a. results b. evidence c. content d. fruits PN[
`p1F
6 a. usual b. flawed c. unusual d. unessential v+f:VA
7 . a. which b. / c. that d. those Rnt&<|8G
8 a. by b. over c. on d. upon 8o#*0d|
9 a. was the world not b. the world was not c. did the world be not d. was not the world asb-syqU
10 a.superior b. super c. inferior d. junior $D
+6=m[
11 a. still b. even c. neither d. no longer v]\io#
12 a. superiority b. inferiority c. majority d. minority 7YsBwo
13 a. common b. average c. ignorant d. exceptional jnsV'@v8Nj
14 a. How b. That c. What d. Which @y3w_;P
15 a. that b. they c. those d. who 5n!
V^ !
16 a. illiterate b. sophisticated c. literate d. omniscient exrsYo!%
17 a. regardless b. in spite of c. despite d. regardless of =)vmX0vL
18 a. and b. likewise c. furthermore d. but $7eO33Bm
19 a. didn’t understand b. don't understand c. haven’t understood d. hadn’t understood 5A/8G}'XZ
20 a. failed b. would have failed c. would fail d. would be failed U.is:&]E
,L%\{bp5
X5UcemO
. 9~98v;Z1
PART II: Reading Comprehension (30 points) OY7\*wc:
Directions: Choose the best answers based on the information in the passages below. gQ4Q
h;
Passage 1 s `fIeP
The leaders of the mythopoetic men's movement believe that modernization has led to the |#8u:rguy
feminization of men. Mythopoets believe that the rise of the urban industrial society "trapped men YYU Di@K
into straitjackets of rationality, thus blunting the powerful emotional communion and collective BoZ])Y6=
spiritual transcendence that they believe men in tribal societies typically enjoyed". Most uH[d%y/
importantly, the movement seeks to restore the "deep masculine" to men who have lost it in their X{zg-k(@
more modern lifestyles. Other causes for the loss of the "deep masculine" include: Men no longer p>4$&-
being comrades who celebrated their masculinity together. Rather, they had become competitors H~E(~fl
within their workplaces; Men spending more time in their houses with women than they did with s2A3.SN
men (in non-competitive terms outside of work). Excessive interaction with women generally kept f>\
OT
men from realizing their internal masculinity; Feminism is bringing attention to the “feminine BqC, -gC
voice.” Through this, the mythopoetic men felt that their voices had been muted (though Bly and RB<LZHZI
others are careful in not blaming feminism for this); The separation of men from their fathers kept 6}^0/76^,
them from being truly initiated into manhood, and was a source of emotional damage. Men were (,1}P
suffering further emotional damage due to feminist accusations about sexism. Men should celebrate +g,:!5pg
their differences from women, rather than feeling guilty about them. Men is being discouraged from dd1m~Gm
expressing their emotions. Male inexpressivity is an epidemic and does not correspond to their su6x
okt
"deep masculine" natures. Groups of primarily white, middle-aged, heterosexual men from the wjh[}rTV*
professional class retreated from their female loved ones in order to join in spiritual rituals that EeGP E
emphasized homosociality, with the central goal of reclaiming the parts of their masculinity that "+3p??h%Rq
they had lost called the "deep masculine." Because most men no longer perform masculine rituals, oT2h'gu")
mythopoets assert that men have mutated into destructive, hypermasculine chauvinists, or, in the dA>=#/"
opposite direction, have become too feminized. The mythopoetic men performed rituals at these OJ8ac6cJ
gatherings, which were meant to imitate those performed by tribal societies when men initiated iTsmUq<b]l
boys into a deeply essential natural manhood. The movement emphasized the importance of RG/M-
including multiple generations of men in the rituals, so that the men could learn about masculinity 9,|{N(N<!
from those who were older and wiser. Characteristic of the early mythopoetic movement was a UMR0S5`}
tendency to retell myths, legends and folktales, and engage in their exegesis as a tool for personal
f`'?
2
insight. Using frequent references to archetypes as drawn from Jungiananalytical psychology, the z-fP#.
movement focused on issues of gender role, gender identity and wellness for the modern man (and wY|&qX,
woman). Advocates would often engage in storytelling with music, these acts being seen as a P5s'cPX
modern extension to a form of "new ageshamanism" popularized by Michael Harner at Dyv 6K_,
approximately the same time. The movement sought to empower men by means of equating !|6M,Rk_
archetypal characters with their own emotions and abilities. For instance, Michael Messner MGpP'G:v
describes the concept of "Zeus energy" as emphasizing "male authority accepted for the good of the )6U&^9=
community". Beliefs about the emotional system based in archetypes of great men, mythopoets BwtjTwd
sought to channel these characters in themselves, so that they could unleash their "animal-males". (sLFJ
a6e
This group primarily analyzed the archetypes of King, Warrior, Magician, Lover and Wildman. _j{^I^P
As a self-help movement the mythopoetic movement tends not to take explicit stances on mh`~1aEr
political issues such as feminism, gay rights or family law (such as the issues of divorce, domestic )RA$E`!b
violence or child custody), preferring instead to stay focused on emotional and psychological 0'y9HE'e
well-being. Because of this neutrality, the movement became a site of social criticism by feminists, OZ 4uk.)
and was often characterized as anti-intellectual as well as apolitical. Michael Messner once gave a r0kJx$f
speech at a gathering, in which he addressed the dangers of celebrating the warrior, as instances of S*;8z}5<\
rape are higher in countries that glorify war. The mythopoets responded that they were not z5G<
h
interested in intellectual or political pursuits, but were primarily concerned with conducting S9kagiFX\
spiritual and emotional work. Additional feminist critique revolved around the movement's absence {pJ{UJKv?
of women's perspectives, as well as the essentialism in the movement's teachings. ;xF5P'T?|
Comprehension Questions: 9pAklD4
HPl'u'.Hg
U~!yGjF
21. The mythopoetic men's movement can best be understood as ________________. 2<&lrsh
a. a men’s literary movement u&MlWKCi
c. a men's rights movement lq0@)'D
b. a men's liberation movement ul[edp_
d. a second-wave feminist movement Vs@[="
22. The mythopoetic men's movement consists of groups of men who retreated from their female &t.9^;(
loved ones in order to strive for ________________. ^rF{%1DT
a. gay rights wX(h]X"q
b. same-sex marriage nNuv 0
c. masculinity T}DP35dBzE
d. myths, legends and folktales 9
Yv;Dom
23. The idea that modernization has led to the feminization of men means that >KF1]/y<
_________________. i4 BCm/h
a. men cannot be themselves 6J/"1_
c. men’s voices have changed Pl|e?Np
b. men can no longer make friends 1&{]jG{#
d. men cannot express themselves |#<PI9)`
2 Q-<,+[/
24. The root issue is ________________. fq^D<c{3
a. feminism 02g!mJW>}y
b. masculinity =#WoeWFW*
c. sex lPcp 17U
d. gender $nR1AOm}.B
25. According to the text, the causes for rape must be sought in _________________. h\
+U+?u
a. the celebration of the archetype of the warrior #$!(8>YJ
b. the unleashing of men’s "animal-males” =`VA_xVu
c. domestic violence g3B
zi6$m
d. the loss of masculine rituals 0bY}<x(;
:?1
r.n
Passage 2 /I[?TsXp
Although in the novel the millennium has been and gone, there are no references at all to real <]f
ru1
contemporary American or global political events of the time of writing. Chapstick, Pledge, and {XC1B
Skevener in their study The Endless Loop of History: Space Time in the work of David Foster y*ae 5=6(
Wallace (London 2001) have already noted the way Infinite Jest divorces itself from history by the ,TrrqCw>
use of sci fi elements. They note how compared with the American post moderns, whose works _g+^jR4
interact with real historical time, Infinite Jest takes place in an ahistorical, allegorical time. DFW’s L_fu<W
invention of Subsidized Time, and the renaming of years after products and companies shows the ;{Cr+lqTJ
way in which the soul-rotting effects of advertising infect time as well as internal and external W,</
space (cf: Phillip K Dick’s adverts projected onto the moon in The Man in the High Castle). 2=H3yEJq
Otherwise, the ubiquitous presence of advertising in contemporary daily life is absent from the anwMG0
novel. Actually, this is not correct. The theme of waste management (also the underlying structure d-%!.,F#W
of Don DeLillo’s novel Underworld) reflects some of the anxieties of the 90s, the decade in which !Pnvqgp/
the novel was written: namely, global warming, environmental concerns, nuclear waste sSVgDQ~q
management, including its export to third world countries, the trading of carbon emission points, l{U-$}
futures swaps in carbon footprints etc. DFW is here simply satirizing contemporary concerns; and a 9}e`_z
Freudian reading of this theme is both unnecessary and not really illuminating, Don Gately’s work x1['+!01
as a shit hoser notwithstanding. DFW’s use of spurious knowledge and scholarship (including a sQt]Y&_/@
spurious academic apparatus at the back of the book) has been amply commented on, especially the o&2(xI2
doubtful physics of J.O. Incandenza’s work with lenses and nuclear annulation, and the iffey math F?b5!<5
involved in the Eschaton game. By his use of the spurious DFW is not only satirizing the discourse fVCpG~&t
of academic knowledge, but making a serious point about the extent and typology of knowledge Ktrqrl^IJ
itself. Once knowledge becomes so specialized as to become comprehensible to only a very few I;dc[m
those firmly inside the discourse- what status does that knowledge gain? To those outside the YVy+1q[
discourse, the knowledge can only be taken on trust, and therefore all manner of hoods may be ;>?NH6B,
winked. In this case the boundaries between the fictional and the real become blurred, a matter for j6wdqa9!~
argument. We are used to questioning the reliability of the narrative voice in fiction, but not so able P;R`22\3
to question in the same way the reliability of academic discourse or specialist knowledge. The -)%l{@Mr
presence of the spurious next to the real infects the real, inviting us to extend our distrust of 9I0}:J;7
fictional narrative to non-fictional exposition, the fiction (le mensonge) and the truth become gC-3ghmgS
mirrors of each other. The title of a work stands in metonymic relationship to the content of the KCR6@{@
work: War and Peace, for example, signifies the two main themes and structuring devices of that #biI=S
novel. For existing books, (real, read books), the title summons up everything we know or JTuU}nm+
remember about the book. Where that work is non-existent (fictional, spurious, lost or simply wfH#E2+pk
unknown/unread) the title acts as an empty signifier, which we can fill with our imagination, #QdBI{2
effectively writing the work ourselves in a flash. Barthes calls these bookless titles prolepses; E0XfM B]+
Nabokov creates summaries and detailed commentaries for them (in Pale Fire and The Real life of \W5fcxf
Sebastian Knight); Borges bases his whole stylistics on this process of metonymic expansion; and *g
=ey?1S
Eco fills entire imaginary libraries with these fantastical books. DFW for his imaginary works, like $q`650&S*
Hoffmann, has a penchant for excessively long and humorous titles, whose length guides us in this \v(}@zcB|
process of creation cf: Good Looking Men in Small Clever Rooms that Utilize Every Centimeter of $RxS<_tj
Available Space With Mind-Boggling Efficiency (title of one of J.O. Incandenza’s entertainments), &)?ECj0`
and Mousetraps and their Influence on the Character and Achievement of the Feline Race (title of EHBy
o[
one of Murr’s books from Hoffmann’s The Life and Opinions of the Tomcat Murr). }G,PUjg_^3
<
d".v
Comprehension Questions: .t\#>Fe
26. According to the author, the use of some of the anxieties of the 90s does not contradict the V=%j]`Os
proposition that the novel Infinite Jest takes place in an ahistorical time because _tJp@\rOz=
______________. dQSX&.<c,
a. the millennium has been and gone H+UA
b. DFW is here simply satirizing contemporary concerns $j?zEz
c. DFW’s invention of Subsidized Time ,,_$r7H`
d. he uses sci fi elements eEvE3=,hg
27. DFW’s invention of Subsidized Time exemplifies _______________. E1)7gio
a. the ubiquitous presence of advertising in contemporary daily life J&mZsa)4
b. the commercialization of American society B(+J?0Dj
c. the endless loop of history <Co\?h/<
d. American post modernism zo!e<>o
28. Following Roland Barthes, which of the following titles would be an example of prolepsis? luNEgCq
a. War and Peace. J]|Zh
b. The Real life of Sebastian Knight fO6i
c. Mousetraps and their Influence on the Character and Achievement of the Feline Race. 8t4o}3>
d. The Life and Opinions of the Tomcat Murr =Kf]ZKj)
29. An innovation by DFW to post modern fiction is exemplified by ________________. >NL4&MV:
a. the unreliable narrator WX@a2c.'
b. the distrust of academic discourse (-'Jf#&X^
c. the process of metonymic expansion Rd|#-7
d. fictional, spurious, lost or simply unknown/unread works X8l|^[2F
30. The title of the novel suggests that it is ________________. r$7zk<01
a. an allegory a!iG;:K
b. a parody F#<$yUf%
c. an apophasis F^La\cZ*'
d. a procatalepsis {,kA'Px)
Passage 3 )SJ18 no|l
According to the Koran, it was on a Tuesday that Allah created darkness. Last September 11, (c^ZFh2]
when suicide pilots were crashing commercial airliners into crowded American buildings, I did not tv,Z>&OM
have to look to the calendar to see what day it was: Dark Tuesday was casting its long shadow iLd_{
across Manhattan and along the Potomac River. I was also not surprised that despite the seven or so l)1FCDV
trillion dollars that we have spent since 1950 on what is euphemistically called “defense,” there El9D1],
would have been no advance warning from the FBI or CIA or Defense Intelligence Agency. 5
5$J%;&
While the Bushites have been eagerly preparing for the last war but two—missiles from North ]Ak/:pu
Korea, clearly marked with flags, would rain down on Portland, Oregon, only to be intercepted by \%=GM
J^[p
our missile-shield balloons—the foxy Osama bin Laden knew that all he needed for his holy war on B<et&r;
the infidel were fliers willing to kill themselves along with those random passengers who happened |3ob1/)p0
to be aboard hijacked airliners. 7Pb:
z4j
For several decades there has been an unrelenting demonization of the Muslim world in the Aw7oyC!
American media. Since I am a loyal American, I am not supposed to tell you why this has taken ;s$bVGHr
place, but then it is not usual for us to examine why anything happens; we simply accuse others of @d/Wa=K
motiveless malignity. “We are good,” G.W. proclaims, “They are evil,” which wraps that one up in e<.O'!=7Y
a neat package. Later, Bush himself put, as it were, the bow on the package in an address to a joint Y2Z<A(W
session of Congress where he shared with them—as well as with the rest of us some-where over the O4l]Q
Beltway—his profound knowledge of Islam’s wiles and ways: “They hate what they see right here G\\0N^v
in this Chamber.” I suspect a million Americans nodded sadly in front of their TV sets. “Their 0vi)my;!
leaders are self-appointed. They hate our freedoms, our freedom of religion, our freedom of speech, p
K=
our freedom to vote and assemble and disagree with each other.” At this plangent moment what
L5wrc4
American’s gorge did not rise like a Florida chad to the bait? 7QnQ=gu
A member of the Pentagon Junta, Rumsfeld, a skilled stand-up comic, daily made fun of a DrY5Q&S
large group of “journalists” on prime-time TV. At great, and often amusing, length, Rummy tells us *{#l0My
nothing about our losses and their losses. He did seem to believe that the sentimental Osama was #z.QBG@
holed up in a cave on the Pakistan border instead of settled in a palace in Indonesia or Malaysia, !}+rg2
two densely populated countries where he is admired and we are not. In any case, never before in cVR#\OM
our long history of undeclared unconstitutional wars have we, the American people, been treated <E&[sQ|3
with such impish disdain—so many irrelevant spear carriers to be highly taxed (those of us who are Pl9Ky(Q`V
not rich) and occasionally invited to participate in the odd rigged poll. D
o
n8xk
The Bush administration, though eerily inept in all but its principal task, which is to exempt the zfexaf!
rich from taxes, has casually torn up most of the treaties to which civilized nations subscribe—like >}?4;:.=
the Kyoto Accords or the nuclear missile agreement with Russia. The Bushites go about their 7y/Pch
relentless plundering of the Treasury and now, thanks to Osama, Social Security (a supposedly [0lu&ak[&
untouchable trust fund), which, like Lucky Strike green, has gone to a war currently costing us $3 _7^4sR8=
billion a month. They have also allowed the FBI and CIA either to run amok or not budge at all, r/G6O
leaving us, the very first “indispensable” and—at popular request—last global empire, rather like A/xo'G
the Wizard of Oz doing his odd pretend-magic tricks while hoping not to be found out. Meanwhile, XZ3)gYQi
G.W. booms, “Either you are with us or you are with the Terrorists.” That’s known as asking for it. @y+Hb@ >.
Comprehension Questions: 3%J7_e'
#&oL iz=hZ
~AX@o-WU
31. The author believes that America’s defense spending ______________. \_#Z~I{
a. protects the national security ?)2&L
Vrf
c. primarily fights terror j/h>G,>T=
b. is good for humanity sC^9
d. is a misnomer o`EL)K{
32. The author uses the term “rigged pole” to ______________. GK>.R<[
a. cast doubt upon the voting process 'T_Vm%
\)
b. refer to public opinion polls *It`<F|
d. add humor to an otherwise serious article u*:;O\6l
c. remind the reader of political corruption "T?hIX/p_
33. In the essay, President George W Bush’s use of dichotomy is portrayed as ______________. [og_0;
a. jingoistic and rational b. misleading and simplistic
HuCzXl
c. well-considered and politically expedient d. effective rhetoric that will stand the test of time
QsN%a>t
34. The use of the term “Pentagon junta” indicates the author’s belief that ______________. ~$@~X*K~
a. the Pentagon has transformed into a populist political machine iFi6,V*PRt
b. the leaders of America’s military establishment were overrepresented in Bush’s White House F79
!B
c. the military-industrial complex has taken control of America’s political process E/Ng
d. journalists have not been able to get solid information from the Bush administration Te:4z@?
35. When the author mentions the Tresury, Social Security, the FBI, and the CIA, he intends to "PI]k
highlight the fact that ______________. p3N/"t&>
a. war-related expenses are like magic tricks
XLeQxp=
b. America is spending harmful amounts of money on “security” xKZLXQ'e-
c. it is difficult to fund the American empire 7
H~J
?_
d. America’s empire is not popular, but it may be necessary to maintain “security” h\@\*Xz<v
Passage 4 -#e
3aXe
The ground broken by Freud and Breuer’s pronouncement, in the “Preliminary 82z\^a
Communication” concerning the psychogenesis of hysteria, that “hysterics suffer mainly from Xc!0'P0T
reminiscences” brought to view the tangled roots linking the developing concept of a hidden and nB#m
?hK
powerful unconscious with nineteenth century anxieties concerning memory’s absence and excess. 6H)T=Z|
Freud’s later emphasis upon fantasy, rather than memory, in his revised writings on hysteria’s j\o<r0I
aetiology can be regarded, in part, as the vanquishing of memory’s unbiddability by fantasy’s 2A5R3x=\
origins in unconscious wishes and anxieties. !pwY@}oL
Two qualifying currents ran through this new emphasis upon fantasy and desire rather than +5>*$L%8T`
upon involuntary memory. First, the issue of personal responsibility raised by this new emphasis on X/8CvY#n
unconscious sexual and violent fantasies was mitigated by Freud’s consolation to his earliest lO=Nw+'$S
hysterical patients that “we are not responsible for our feelings”. Second, the possible association .w .`1
g
only of fantasy with the determining force of unconscious inner processes. 6~t;&)6J
Hystories, which continues its author’s earlier study of hysteria associates this return with the
,'KS:`m!
development of a divisive “survivor” culture characterized by blame and vengeful litigation. ;nDCyn4i]
Showalter’s fundamentally Enlightenment critique of this culture suggests that only a renewed LxcC5/@\~(
emphasis upon fantasy can rescue contemporary western culture from the distortions that threaten PGE|){
<
its stability and limit its capacity for healthy and democratically organized public life. In short, V^
Showalter calls for the nurturing of a psychically enlightened culture within which collective or p,)~w1|
individual responsibility can be acknowledged for violent, fearful, or sexual fantasies. )C@O7m*.4
The thesis propounded in this polemical and accessible work is that hysteria, despite the views wd
4]Z0;
of the psychological establishment, is “alive and well” in the late twentieth century western world, K]
though in transformed guise. Hysteria’s domain has shifted, argues Showalter, from the clinic to the 91Fx0(
popular narrative, or “history”, in which various arguably “traumatic experiences” take centre-stage. )yOdRRP
TV, the popular press, and e-mail spread hystories with which growing numbers of troubled Zs$Qo->F
individuals are coming to identify. These hystories of ME, Gulf War Syndrome, recovered memory, \E!a=cL!
multiple personality disorder, satanic abuse and alien abduction each provide explanatory narratives 323zR*\m
that allow somatic or psychical symptoms. }u>F}mU
a
The sub-title of the US version of Hystories and aspects of its argument foreground the part eLvbPE_
played by the speed and spread of contemporary electronic communications in the escalation of _gGI&0(VM
hystories. However, Hystories’ argument, in keeping perhaps with the book’s critique of hystories vz[-8m:f
themselves, eschews direct accusation. Nevertheless, the sharpest edge of Showalter’s cultural w,,QXJe{Z_
critique of hystories is directed against their crossing of the line from private narratives that enable Dm")\"5\?
therapeutic sense to be made of a life, to media-spurred, public, political and judicial “rituals of >E9:3&[F
testimony” that involve accusation and persecution. In a final chapter that warns — a little LhfI"fc
hysterically perhaps — of the coming hysterical plague, Showalter likens the emergence and j.b7<Vr4;
proliferation of these public discourses to the witch-hunts of the seventeenth century. She concludes 0c$0<2D%
that this development, demonstrates the “human propensity to paranoia”. 6c?;-5.
At base, Hystories calls for a return to those insights and values arguably delivered by Freud’s o`]o(OP
turn towards fantasy. For Showalter, hystories appear to represent a withdrawal from the hard task |9Gng`)
enjoined by those insights: that of grasping as our own unconscious fantasies the violent, JB_<Haj
destructive, or sexual forces that hystories locate and persecute elsewhere and in others. wU9H=w^
Showalter’s impassioned plea is to return to enlightenment values. “The hysterical epidemics of the (Ov{gj^
1990s continue to do damage”, she concludes “in distracting us from the real problems and crises of Y/3CB
modern society, in undermining respect for evidence and truth, and in helping support an R.Plfm06Ue
atmosphere of conspiracy and suspicion. They prevent us from claiming our full humanity as free WRq:xDRn0
and responsible beings”. It is the recognition of universal human propensities and, in particular, the z<T(afM{*
grasping of responsibility for our own projections that promises to move us beyond a culture of $s*nh>@7
blame inhabited by perpetrators and victims, and towards a freer and a more equal society. X
J+y5at
Comprehension Questions: yU e7o4Zm
36. Showalter’s interest in to be found mainly in the academic discipline of ________________. xD:t$~
a. history b. sociology c. psychology d. the media go6XUe
37. According to Showalter, soldiers suffering from psychosomatic ailments known as the ‘Gulf ]\qbe
War Syndrome’ are dealing with ________________. .IO_&^
a. repressed memories from the First Iraq War (1991) CJDnHuozc
b. delusions created by chemical or biological weapons H}Jdnu|ko
c. unconscious fears about contact with toxins 3?R56$-+
d. somatic expression of exposure to depleted uranium #|ppW fZQ
38. The attitude of the reviewer of the book by Showalter may best be described as Y<x;-8)*
________________. e[Tu.$f-
a. reserved Gr&)5hm$
b. ironic pG|+\k/B
c. sympathetic ~36)3W[4
d. convinced mMz^I7$
39. According to the researcher, mankind has always had the tendency of ________________. EAdr}io
a. externalization of the causes of unhappiness zZhAH('fG
b. reduction of complexities to simplified stories _#jR6g TY
c. deification of supernatural phenomena + YjK#
d. schizophrenic paranoia KKCzq
|
40. The analysis and comparison with seventeenth-century witch-hunts by Showalter, successfully :4&q2-
predicts the hysteria and persecution in our day of _________________. %u)niY-g
a. paedophiles 5>S<9A|Q
b. catholics l2&s4ERqSm
c. veganists ]"*sp
d. terrorists M9t`w-@_w
请将以下题目的答案填写在答题纸上。 w@jC#E\
PART III: Reading and Writing S260h,(,
Section A (10 points) u>K(m))5W3
Directions: Some sentences have been removed in the following text. Choose the most suitable 0+iaO"%
one from the list A—G to fit into each of the blanks. There are two extra choices which do not ;%wY fq~P
fit in any of the blanks. A~!v+W%vO1
(1) __________________ Player 1 may not know these particular words of wisdom, but (FY<%.Pa
chances are she’s thinking much the same as she tries to decide whether to send Player 2 some of ~vL`[JiK
her $10 stake. If she does, the money will be tripled, and her anonymous partner can choose to dw"Tv~
return none, some, or all of the cash. But why should Player 2 send anything back? And why should ;7HL/-
Player 1 give anything in the first place? Despite the iron logic of this argument, she types in her >$g+Gx\v4
command to send some money. A few moments later she smiles, seeing from her screen that Player ^wtr~D|
2 ,WA[HwY-
has returned a tidy sum that leaves them both showing a net profit. B=R9K3f
(2) ___________________ Based on exactly the same cold logic that Player 1 dismissed, the ZDhl$m[m
so-called Nash equilibrium predicts that in economic transactions between strangers, where one has :
U Yn
to make decisions based on a forecast of another’s response, the optimal level of trust is zero. Yet g?mfpwZj
despite the economic orthodoxy, the behavior of Players 1 and 2 is not exceptional. In fact, over the `yvH0B -
course of hundreds of such trials, it turns out that about half of Player 1s send some money, and B<
6E'
three- quarters of Player 2s who receive it send some back. Y~fa=R{W
Zak is a leading protagonist in the relatively new field of neuroeconomics, which aims to Tp.t.Qic
understand human social interactions through every level from synapse to society. It is a hugely &y~~Z [.F,
ambitious undertaking. By laying bare the mysteries of such nebulous human attributes as trust, fPj*qi
neuroeconomists hope to transform our self- understanding. (3) _________________ “ As we learn >}p'E9J?r
more about the remarkable internal order of the mind, we will also understand far more deeply the B.T|e,g26
social mind and therefore the external order of personal exchange, and the extended order of B S^P&TR!
exchange through markets.” (TF;+FRW
(4) __________________ As Zak’s collaborator Steve Knack of the World Bank points out: ,5 ylrE
“Trust is one of the most powerful factors affecting a country’s economic health. Where trust is low, !ot$Q
individuals and organizations are more wary about engaging in financial transactions, which tends Ia'm9Z
*
to depress the national economy.” ;Q}pmBkqB
And trust levels differ greatly between nations. The World Values Survey, based at the 8
#_"WzDw
University of Michigan, Ann Arbor, has asked people in countries around the world, “Do you think Li{R?Osx
strangers can generally be trusted?” the positive response rate varies from about 65% in Norway to [? 1m6u;
about 5% in Brazil. (5) __________________ “Policy-makers in these latter countries might be fN-y8
urgently interested in mechanisms that enable them to raise national trust levels,” observes Knack. ;/-X;!a>
A. Even more intriguingly, it seems that this urge to respond positively when someone shows yClbM5,
trust in us is largely outside our control. '-?t^@
B. Crucially for international economic development, what is true for individuals turns out also 4pw:O^v
to be true for nations. )`V__^
C. Disturbingly, countries where trust is lower than a critical level of about 30%—as is the I~f8+DE)
case in much of South America and Africa – risk falling into a permanent suspicion- locked jaOt"iU.B
poverty trap. zB@@Gs>
D. “It’s good to trust; it’s better not to,” goes an Italian proverb. j\^u_D
E. They believe their findings even have the potential to help make societies more productive @?gN
&Z)I
and successful. ~p'DPg4
F. He points out that our brains have been tailored by evolution to cope with group living. &qP@WFl
G. This outcome doesn’t just flout proverbial wisdom, it thumbs its nose at economic theory. {W5D)
Section B (10 points) YYiT,Xp<A
Directions: Write a 100—120-word summary of the article in this part. `tjH#W`
PART IV: Translation 320g
!r
Directions: Write your translations in your answer sheet. F87aIJ.pGN
Section A: Translate the underlined sentences into good Chinese. (15 points) IY=CTFQ8lm
On the whole, books are less limited than ourselves. (1) Often they sit on the shelves absorbing R8K?!Z
dust long after the writer has turned into a handful of dust—and it is precisely the appetite for this K7
N)VG
posthumous dimension that sets one’s pen in motion. {k#RWDespy
So as we toss and turn these rectangular objects in our hands we won’t be terribly amiss if we Db5y";T
surmise that we fondle, as it were, the urns with our returning ashes. After all, what goes into 1M
F0HiC
writing a book is, ultimately, a man’s only life. (2) Whoever said that to philosophize is an exercise 6?X)'
in dying was right in more ways than one, for by writing a book nobody gets younger. RgQ;fYS
Nor does one become any younger by reading one. Since this is so, our natural preference n;5;D
should be for good books. The paradox, however, lies in the fact that in literature “good” is defined f|&ga'5g&
by its distinction from “bad”. (3) What’s more, to write a good book, a writer must read a great deal uSRvc0R\
of pulp—otherwise he won’t be able to develop the necessary criteria. That’s what may constitute CaV>\E)
bad literature’s best defense at the Last Judgment. JL7"}^
Since we are all moribund, and since reading books is time-consuming, we must devise a wV,l }Xb-
system that allows us a semblance of economy. Of course, there is no denying the pleasure of B2uLfi$q
holding up with a fat, slow-moving, mediocre novel, but in the end, we read not for reading’s sake ]rs7%$ZW
but to learn. (4) Hence the need for the works that brings the human predicament into its sharpest ~_YU%y
possible focus. Hence, too, the need for some compass in the ocean of available printed matter. ?g5u#Q>!
(5) The role of that compass, of course, is played by literary criticism, by reviewers. Alas, its J|Xu]fg0
needle oscillates wildly. What is north for some is south for others. The trouble with a reviewer is .eSMI!Y=
threefold: (a) he can be a hack, and as ignorant as ourselves; (b) he can have strong predilections for @}^eyS$|!
a certain kind of writing or simply be on the take with the publishing industry, and (c) if he is a Gw;[maM!%`
writer of talent, he will turn his review writing into an independent art from—Jorge Luis Borges is a "V:24\vO
case in point—and you may end up reading reviews rather than the books. xg>AW Q
Section B: Translate the following sentences into good English. (15 points) mu!hD^fw
1. 故宫雄伟、壮丽,是中国古建筑艺术的巅峰之作,其规模和独具特色的风格享誉世界。故 q[}[w!to
宫内保存着大量珍贵、稀有的古物,它们对研究明、清两代历史和历史艺术具有十分重要 ^6Std
x_
的意义。1925 年故宫改名为故宫博物馆,成为世界最大的博物馆之一。 fy(i<L
Z
2. 这一年,我们隆重纪念了中国人民抗日战争暨世界反法西斯战争胜利 70 周年,举行了盛 >;;tX3(
大阅兵,昭示了正义必胜、和平必胜、人民必胜的真理。我和马英九先生在新加坡会面, @YMQbjbr
实现了跨越 66 年时空的握手,表明两岸关系和平发展是两岸同胞的共同心愿。 :cmQ
w
3. 新西兰是发达的高福利社会,并以盛产高质量的水果、肉和乳制品著称于世。服务业,特 y.LJ5K$&a
别是旅游以及与教育相关的产业,也在经济发展中起着重要作用。每年有很多来自中国的 r:&"#F
游客和留学生来到新西兰享受它所提供的一切。 iSZiJ4AUq
<KFE.\*Z4
3]X9 z