PART I: Cloze (20 points) 1@S6[&_
Directions: Choose the best word(s) for each numbered blank. 5(7MQuRR
Production workers must be able to do statistical quality control. Production workers must be :*'?Ac
?
able to do just-in-time inventories. Managers are increasingly shifting from a "don't think, do what
73ljW
you are told" to a "think, I am not going to tell you what to do" style of management. *9ub.:EUwV
This shift occurs not because today's managers are more ___(1)___ than yesterday's managers, <&%1pZ/6.
but because the evidence is mounting that the second style of management is more ___(2)___ than }t3FAy(%
the first style of management. But this means that problems of training and motivating the work >m1V9A
force both become more central and require different models of behavior. cgXF|'yI&l
To be on top of this situation, tomorrow's managers will have to have strong background in %*q0+_
organizational psychology, human relations, and labor ___(3)___. The MIT Sloan School of quickly cu`J2vm3
management attempts to ___(4)___ our understanding in these areas through research and then ,wi=!KzX
quickly bring the ___(5)___ of this new research to our students so that they can be leading-edge XJ~l5}y ]
managers when it comes to the human side of the equation. X7d.Ie
The first three decades after World War II were ___(6)___ in ___(7)___ the United States had a N$&eP
U J
huge technological lead ___(8)___ all the rest in the world. In a very real sense, ___(9)___ %e7(HfW-U
technological competitive. American firms did not have to worry about their technological 6Su@a%=j
competitiveness because they were ___(10)___. n=o'ocdS)
But that world has disappeared. Today we live in a world where American firms ___(11)___ `h9)`*
have automatic technological ___(12)___. In some areas they are still ahead, in some areas they are Rw\C0'
_ jJ"EGFa8
__(13)___, and in some areas they are behind, but on average, they are average. "SU-^z
___(14)___ this means is that American managers have to understand the forces of technical fTHun?Vn
change in ways ___(15)___ were not necessary in the past. Conversely, managers from the rest of _=*tDa
the world know that it is now possible for them to dominate their American competitors if they 1H4Zgh
U
understand the forces of technical change better than their American competitors do. W_,;eyo
In the world of tomorrow managers cannot be technologically ___(16)___ ___(17)___ their %L13Jsw
functional tasks within the firm. They don't have to be scientists or engineers inventing new Sj{ia2AE_
technologies, ___(18)___ they have to be managers who understand when to bet and when not bet 2vkB<[tSs
on new technologies. If they ___(19)___ what is going on and technology effectively becomes a bLM"t0
black box, they ___(20)___ to make the changes. They will be losers, not winners. v^c<`i;
1 a. enlightened b. enlightening c. enlightenment d. enlighten L=HVdeE
$?)3&\)R
2 a. sterile b. producing c. productive d. extravagant /Fo/_=FE 2
3 a. economics b. economic c. economy d. economies J/x@$'
4 a. take b. arouse c. rise d. advance GX@W"y
5 . a. results b. evidence c. content d. fruits ?YO=J
6 a. usual b. flawed c. unusual d. unessential .^LL9{?
7 . a. which b. / c. that d. those @v~Pwr!
8 a. by b. over c. on d. upon PNJ
e&q0*
9 a. was the world not b. the world was not c. did the world be not d. was not the world t*a*v;iz
10 a.superior b. super c. inferior d. junior r6n5 Jz
11 a. still b. even c. neither d. no longer /:y2Up-
12 a. superiority b. inferiority c. majority d. minority Sn(l$wk=
13 a. common b. average c. ignorant d. exceptional W ~Jzqp9g
14 a. How b. That c. What d. Which {,Bb"0 \
15 a. that b. they c. those d. who ^S#\O>GHP
16 a. illiterate b. sophisticated c. literate d. omniscient `8Jq~u6_Z
17 a. regardless b. in spite of c. despite d. regardless of jJUGZVM6)
18 a. and b. likewise c. furthermore d. but Zlk,])9 Q
19 a. didn’t understand b. don't understand c. haven’t understood d. hadn’t understood /^'Bgnez
20 a. failed b. would have failed c. would fail d. would be failed ;+i'0$;*w
(LRM~5KVg
hV-VeKjZ(
. KZF0rW
PART II: Reading Comprehension (30 points) M@~~f
Directions: Choose the best answers based on the information in the passages below. dI^IK
Passage 1 h(@R]GUX
The leaders of the mythopoetic men's movement believe that modernization has led to the #ya\Jdx
feminization of men. Mythopoets believe that the rise of the urban industrial society "trapped men Xnv@H:$mxk
into straitjackets of rationality, thus blunting the powerful emotional communion and collective 7v_i>_m]
spiritual transcendence that they believe men in tribal societies typically enjoyed". Most UvxSMD:A
importantly, the movement seeks to restore the "deep masculine" to men who have lost it in their !K3})& w
more modern lifestyles. Other causes for the loss of the "deep masculine" include: Men no longer uf)W-Er6~
being comrades who celebrated their masculinity together. Rather, they had become competitors -AjH}
A[!
within their workplaces; Men spending more time in their houses with women than they did with yiVG ]s
men (in non-competitive terms outside of work). Excessive interaction with women generally kept ;gDMl57PQ.
men from realizing their internal masculinity; Feminism is bringing attention to the “feminine )Hbb&F
voice.” Through this, the mythopoetic men felt that their voices had been muted (though Bly and i;o}o*=
others are careful in not blaming feminism for this); The separation of men from their fathers kept _1^8xFe2
them from being truly initiated into manhood, and was a source of emotional damage. Men were v6s\Z\v)Q`
suffering further emotional damage due to feminist accusations about sexism. Men should celebrate AF^T~?t
their differences from women, rather than feeling guilty about them. Men is being discouraged from xvU]jl6d
expressing their emotions. Male inexpressivity is an epidemic and does not correspond to their 4YszVT-MU~
"deep masculine" natures. Groups of primarily white, middle-aged, heterosexual men from the ep+
professional class retreated from their female loved ones in order to join in spiritual rituals that R?cUy8?'S
emphasized homosociality, with the central goal of reclaiming the parts of their masculinity that N&T:Lt_N
they had lost called the "deep masculine." Because most men no longer perform masculine rituals, CI`N8
f=v
mythopoets assert that men have mutated into destructive, hypermasculine chauvinists, or, in the zv //K_
opposite direction, have become too feminized. The mythopoetic men performed rituals at these s/
M7Zl
gatherings, which were meant to imitate those performed by tribal societies when men initiated ><;Q@u5~
boys into a deeply essential natural manhood. The movement emphasized the importance of `Da+75 f6v
including multiple generations of men in the rituals, so that the men could learn about masculinity EYL]TeS
from those who were older and wiser. Characteristic of the early mythopoetic movement was a XCDSmZ
tendency to retell myths, legends and folktales, and engage in their exegesis as a tool for personal 8j%'9vPi
insight. Using frequent references to archetypes as drawn from Jungiananalytical psychology, the 8L%M<JRg~
movement focused on issues of gender role, gender identity and wellness for the modern man (and ) Qq'Wp3i
woman). Advocates would often engage in storytelling with music, these acts being seen as a Ekv89swl`i
modern extension to a form of "new ageshamanism" popularized by Michael Harner at Jf7frzw
approximately the same time. The movement sought to empower men by means of equating 7^$)VBQ/
archetypal characters with their own emotions and abilities. For instance, Michael Messner fXO_g
describes the concept of "Zeus energy" as emphasizing "male authority accepted for the good of the Yd:Q`#7A
community". Beliefs about the emotional system based in archetypes of great men, mythopoets yGTziv!
sought to channel these characters in themselves, so that they could unleash their "animal-males". jd 1jG2=f
This group primarily analyzed the archetypes of King, Warrior, Magician, Lover and Wildman. uWjN2#&,
As a self-help movement the mythopoetic movement tends not to take explicit stances on G?`-]FMO
political issues such as feminism, gay rights or family law (such as the issues of divorce, domestic zB*euHIqZ
violence or child custody), preferring instead to stay focused on emotional and psychological -v]Qhf&>
well-being. Because of this neutrality, the movement became a site of social criticism by feminists, }`xdWY
and was often characterized as anti-intellectual as well as apolitical. Michael Messner once gave a
?CP2AK
speech at a gathering, in which he addressed the dangers of celebrating the warrior, as instances of gAt~?HvW6
rape are higher in countries that glorify war. The mythopoets responded that they were not gbDX7r-
interested in intellectual or political pursuits, but were primarily concerned with conducting +dk fcG
spiritual and emotional work. Additional feminist critique revolved around the movement's absence f'X9HU{Cz
of women's perspectives, as well as the essentialism in the movement's teachings. |7"$ w%2
Comprehension Questions: %{!R
l@
Fv8f+)k)Z~
Y9Z]i$qS&k
21. The mythopoetic men's movement can best be understood as ________________. irbw'^;y
a. a men’s literary movement $TG=w
c. a men's rights movement LlHa5]E@6
b. a men's liberation movement X^s2BW
d. a second-wave feminist movement "l7NWqfB
22. The mythopoetic men's movement consists of groups of men who retreated from their female tGjhHp8}c
loved ones in order to strive for ________________. 8)L*AdDAW!
a. gay rights d%_OT0Ei
b. same-sex marriage /( hUfYm0
c. masculinity ;"kaF!
d. myths, legends and folktales 6*45Vf
23. The idea that modernization has led to the feminization of men means that =>iA gp'#
_________________. .fAv*pUzU
a. men cannot be themselves L\%orLEmK
c. men’s voices have changed S<`I
Jpkv
b. men can no longer make friends - +>1r
d. men cannot express themselves ?QZ"JX])
2 1oiRW Re
24. The root issue is ________________. jYRP8 Yi
a. feminism iK5_u2]Q
b. masculinity r V6/Tdy
c. sex oGa^/:6L
d. gender Wp)*Mbq@
25. According to the text, the causes for rape must be sought in _________________. n/~A`%E@
a. the celebration of the archetype of the warrior zK|i='XSf
b. the unleashing of men’s "animal-males” ^r6!l.
c. domestic violence }e2VY
d. the loss of masculine rituals "]K>j'^Zs<
U*3J+Y
Passage 2 br-]fE.be
Although in the novel the millennium has been and gone, there are no references at all to real oVFnlA
contemporary American or global political events of the time of writing. Chapstick, Pledge, and 7lV.[&aKW
Skevener in their study The Endless Loop of History: Space Time in the work of David Foster SZaS;hhhHu
Wallace (London 2001) have already noted the way Infinite Jest divorces itself from history by the BTgG4F/)
use of sci fi elements. They note how compared with the American post moderns, whose works @+3kb.P%7
interact with real historical time, Infinite Jest takes place in an ahistorical, allegorical time. DFW’s &xRo^iV?
invention of Subsidized Time, and the renaming of years after products and companies shows the )e5 @
way in which the soul-rotting effects of advertising infect time as well as internal and external (e(:P~Ry
space (cf: Phillip K Dick’s adverts projected onto the moon in The Man in the High Castle). 8YC_3Yi%
Otherwise, the ubiquitous presence of advertising in contemporary daily life is absent from the 1`ayc|9BR
novel. Actually, this is not correct. The theme of waste management (also the underlying structure =[b)1FUp
of Don DeLillo’s novel Underworld) reflects some of the anxieties of the 90s, the decade in which cufH?Xg<
the novel was written: namely, global warming, environmental concerns, nuclear waste -py@DzK
management, including its export to third world countries, the trading of carbon emission points, O
T.*pk+<)
futures swaps in carbon footprints etc. DFW is here simply satirizing contemporary concerns; and a (L^]Lk
x)
Freudian reading of this theme is both unnecessary and not really illuminating, Don Gately’s work [w%
qV 6
as a shit hoser notwithstanding. DFW’s use of spurious knowledge and scholarship (including a *G*
k6.9W!
spurious academic apparatus at the back of the book) has been amply commented on, especially the :POj6j/
doubtful physics of J.O. Incandenza’s work with lenses and nuclear annulation, and the iffey math qkiI/nH3
involved in the Eschaton game. By his use of the spurious DFW is not only satirizing the discourse BNL;Biyt7
of academic knowledge, but making a serious point about the extent and typology of knowledge '7XIhN9
itself. Once knowledge becomes so specialized as to become comprehensible to only a very few 1t)il^p4[;
those firmly inside the discourse- what status does that knowledge gain? To those outside the Q ]}Hd-
discourse, the knowledge can only be taken on trust, and therefore all manner of hoods may be [
VE8V-
winked. In this case the boundaries between the fictional and the real become blurred, a matter for l1f\=G?tmU
argument. We are used to questioning the reliability of the narrative voice in fiction, but not so able P9T}
S
to question in the same way the reliability of academic discourse or specialist knowledge. The )
jt #=9ZQ
presence of the spurious next to the real infects the real, inviting us to extend our distrust of Z]B~{!W1
fictional narrative to non-fictional exposition, the fiction (le mensonge) and the truth become Z<
vKQ4G
mirrors of each other. The title of a work stands in metonymic relationship to the content of the ;qm
D50:%
work: War and Peace, for example, signifies the two main themes and structuring devices of that H '
novel. For existing books, (real, read books), the title summons up everything we know or Ft&]7dT{W
remember about the book. Where that work is non-existent (fictional, spurious, lost or simply ))"6ern
unknown/unread) the title acts as an empty signifier, which we can fill with our imagination, zx)z/1
effectively writing the work ourselves in a flash. Barthes calls these bookless titles prolepses; (L/_^!ZX
Nabokov creates summaries and detailed commentaries for them (in Pale Fire and The Real life of U
H*r5o3
Sebastian Knight); Borges bases his whole stylistics on this process of metonymic expansion; and mWsI}2
Eco fills entire imaginary libraries with these fantastical books. DFW for his imaginary works, like ?.Ca|H<
Hoffmann, has a penchant for excessively long and humorous titles, whose length guides us in this `Tv[DIVW
process of creation cf: Good Looking Men in Small Clever Rooms that Utilize Every Centimeter of =w{Z@S(ukz
Available Space With Mind-Boggling Efficiency (title of one of J.O. Incandenza’s entertainments), e]zBf;9J
and Mousetraps and their Influence on the Character and Achievement of the Feline Race (title of gcl5jB5)>
one of Murr’s books from Hoffmann’s The Life and Opinions of the Tomcat Murr). toBHkiuD
}khV'6"'|
Comprehension Questions: A;]}m8(*
26. According to the author, the use of some of the anxieties of the 90s does not contradict the 8~@c)Z;
proposition that the novel Infinite Jest takes place in an ahistorical time because ^LoUi1j
______________. @emK1iwm
a. the millennium has been and gone ]H+8rY%+
b. DFW is here simply satirizing contemporary concerns klT@cO-9
c. DFW’s invention of Subsidized Time .uMn0PE
d. he uses sci fi elements m8d!<
h
27. DFW’s invention of Subsidized Time exemplifies _______________. #_^Lb]jkM
a. the ubiquitous presence of advertising in contemporary daily life vunHNHltW0
b. the commercialization of American society CYY=R'1:G{
c. the endless loop of history .$+#1-
d. American post modernism )<h*
eS{
28. Following Roland Barthes, which of the following titles would be an example of prolepsis? #P0&ewy
a. War and Peace. +M\`#i\g>
b. The Real life of Sebastian Knight "K6&dk jY
c. Mousetraps and their Influence on the Character and Achievement of the Feline Race. 4.[
^\N
d. The Life and Opinions of the Tomcat Murr dx MOn
29. An innovation by DFW to post modern fiction is exemplified by ________________. jaII r06
a. the unreliable narrator hK L4cpK4
b. the distrust of academic discourse 5YE'L.
c. the process of metonymic expansion v&DI`xn~
d. fictional, spurious, lost or simply unknown/unread works Ug>~Rq]
30. The title of the novel suggests that it is ________________. G\2CR*
a. an allegory vWzm@
b. a parody v_+{'F
c. an apophasis %
Nlt H/I
d. a procatalepsis [8 ]z|bM
Passage 3 A5c%SCq;
According to the Koran, it was on a Tuesday that Allah created darkness. Last September 11, `VA"v
wz
when suicide pilots were crashing commercial airliners into crowded American buildings, I did not 89pEfl j2
have to look to the calendar to see what day it was: Dark Tuesday was casting its long shadow B+P(M!m3
across Manhattan and along the Potomac River. I was also not surprised that despite the seven or so #L=x%8B
trillion dollars that we have spent since 1950 on what is euphemistically called “defense,” there %?0:vn
would have been no advance warning from the FBI or CIA or Defense Intelligence Agency. JVvs-bK5
While the Bushites have been eagerly preparing for the last war but two—missiles from North at#ja_ hd
Korea, clearly marked with flags, would rain down on Portland, Oregon, only to be intercepted by q;T{|5/O
our missile-shield balloons—the foxy Osama bin Laden knew that all he needed for his holy war on 2VmNZ{<
the infidel were fliers willing to kill themselves along with those random passengers who happened ~7*.6YnI
to be aboard hijacked airliners. SoW9p^HJ
For several decades there has been an unrelenting demonization of the Muslim world in the W9 GxXPA
American media. Since I am a loyal American, I am not supposed to tell you why this has taken vYwYQG
place, but then it is not usual for us to examine why anything happens; we simply accuse others of !"?#6-,Xn
motiveless malignity. “We are good,” G.W. proclaims, “They are evil,” which wraps that one up in SD"FErJ
a neat package. Later, Bush himself put, as it were, the bow on the package in an address to a joint (9''MlGd%
session of Congress where he shared with them—as well as with the rest of us some-where over the uw>Ba %5
Beltway—his profound knowledge of Islam’s wiles and ways: “They hate what they see right here @>r._~
in this Chamber.” I suspect a million Americans nodded sadly in front of their TV sets. “Their >K_(J/&p
leaders are self-appointed. They hate our freedoms, our freedom of religion, our freedom of speech, OcR$zlgs[v
our freedom to vote and assemble and disagree with each other.” At this plangent moment what s 1A.+
American’s gorge did not rise like a Florida chad to the bait? zqim R#u
A member of the Pentagon Junta, Rumsfeld, a skilled stand-up comic, daily made fun of a |HiE@
large group of “journalists” on prime-time TV. At great, and often amusing, length, Rummy tells us L*Tj^q!t+
nothing about our losses and their losses. He did seem to believe that the sentimental Osama was w$3,A$8
holed up in a cave on the Pakistan border instead of settled in a palace in Indonesia or Malaysia, RuLi,'u
two densely populated countries where he is admired and we are not. In any case, never before in 2%DSUv:H%
our long history of undeclared unconstitutional wars have we, the American people, been treated x,=&JtKVc
with such impish disdain—so many irrelevant spear carriers to be highly taxed (those of us who are )Kc<j!8-[
not rich) and occasionally invited to participate in the odd rigged poll. v [wb~uw\
The Bush administration, though eerily inept in all but its principal task, which is to exempt the *RI]?j%B
rich from taxes, has casually torn up most of the treaties to which civilized nations subscribe—like xT3BHnQ(
the Kyoto Accords or the nuclear missile agreement with Russia. The Bushites go about their ISYXH9V
relentless plundering of the Treasury and now, thanks to Osama, Social Security (a supposedly CuaVb1r
untouchable trust fund), which, like Lucky Strike green, has gone to a war currently costing us $3 .p<:II:
6
billion a month. They have also allowed the FBI and CIA either to run amok or not budge at all, S]}nm
leaving us, the very first “indispensable” and—at popular request—last global empire, rather like }n]Ng]KM`
the Wizard of Oz doing his odd pretend-magic tricks while hoping not to be found out. Meanwhile, )X1{
G.W. booms, “Either you are with us or you are with the Terrorists.” That’s known as asking for it. S3q&rqarC%
Comprehension Questions: "M<8UE \n
ui<N[
E(*0jAvO[z
31. The author believes that America’s defense spending ______________. Kr?TxhUHd
a. protects the national security /j#n
c. primarily fights terror ]&o$b ]
b. is good for humanity xsIY7Ss U
d. is a misnomer QVv#fy1"6
32. The author uses the term “rigged pole” to ______________. \Z?9{J
a. cast doubt upon the voting process @3>u@
b. refer to public opinion polls y%&q/tk
d. add humor to an otherwise serious article Xc =Y
c. remind the reader of political corruption B7VH<;Z
33. In the essay, President George W Bush’s use of dichotomy is portrayed as ______________. YX!{P=Ua
a. jingoistic and rational b. misleading and simplistic ^7w+l @
c. well-considered and politically expedient d. effective rhetoric that will stand the test of time zG }@0
34. The use of the term “Pentagon junta” indicates the author’s belief that ______________. C/q'=:H;
a. the Pentagon has transformed into a populist political machine 1jx:;j
b. the leaders of America’s military establishment were overrepresented in Bush’s White House Q$a{\*[:+
c. the military-industrial complex has taken control of America’s political process .u)X3..J
d. journalists have not been able to get solid information from the Bush administration } +TORR?
35. When the author mentions the Tresury, Social Security, the FBI, and the CIA, he intends to )cW#Rwu_A4
highlight the fact that ______________. .8 2P(}h
a. war-related expenses are like magic tricks _:ReN_0
b. America is spending harmful amounts of money on “security” |'e^QpU5
c. it is difficult to fund the American empire [T|aw1SoN
d. America’s empire is not popular, but it may be necessary to maintain “security” 0%3
2=k7O[
Passage 4 zUt'QH7E.
The ground broken by Freud and Breuer’s pronouncement, in the “Preliminary mu\6z_e
Communication” concerning the psychogenesis of hysteria, that “hysterics suffer mainly from 7!evm;A
reminiscences” brought to view the tangled roots linking the developing concept of a hidden and ADz ^\
powerful unconscious with nineteenth century anxieties concerning memory’s absence and excess. >,v`EI
g
Freud’s later emphasis upon fantasy, rather than memory, in his revised writings on hysteria’s |O{m2Fi
aetiology can be regarded, in part, as the vanquishing of memory’s unbiddability by fantasy’s DRSr%d
origins in unconscious wishes and anxieties. o5u3Fjz3
Two qualifying currents ran through this new emphasis upon fantasy and desire rather than
<]6SN
upon involuntary memory. First, the issue of personal responsibility raised by this new emphasis on B~?*?Z'
unconscious sexual and violent fantasies was mitigated by Freud’s consolation to his earliest aFl;BhM
hysterical patients that “we are not responsible for our feelings”. Second, the possible association I!ED?n
only of fantasy with the determining force of unconscious inner processes. mbKZJ{|4s
Hystories, which continues its author’s earlier study of hysteria associates this return with the 0B[="rTS7#
development of a divisive “survivor” culture characterized by blame and vengeful litigation. ,j#XOy`mzy
Showalter’s fundamentally Enlightenment critique of this culture suggests that only a renewed 7dN*lks
emphasis upon fantasy can rescue contemporary western culture from the distortions that threaten 0$(WlP|
its stability and limit its capacity for healthy and democratically organized public life. In short, SDC4L <!
Showalter calls for the nurturing of a psychically enlightened culture within which collective or l.(v^3:X
individual responsibility can be acknowledged for violent, fearful, or sexual fantasies. >;jZa
The thesis propounded in this polemical and accessible work is that hysteria, despite the views biL s+\C
of the psychological establishment, is “alive and well” in the late twentieth century western world, 2d>z1%'
though in transformed guise. Hysteria’s domain has shifted, argues Showalter, from the clinic to the 0!D4pvlt
popular narrative, or “history”, in which various arguably “traumatic experiences” take centre-stage. :vYYfs&
TV, the popular press, and e-mail spread hystories with which growing numbers of troubled w3N[9w?1
individuals are coming to identify. These hystories of ME, Gulf War Syndrome, recovered memory, %3s1z<;R[S
multiple personality disorder, satanic abuse and alien abduction each provide explanatory narratives #`~C)=-
that allow somatic or psychical symptoms. QfmJn((
The sub-title of the US version of Hystories and aspects of its argument foreground the part S};#+ufgTt
played by the speed and spread of contemporary electronic communications in the escalation of &`h{iK7
hystories. However, Hystories’ argument, in keeping perhaps with the book’s critique of hystories at @G/?
themselves, eschews direct accusation. Nevertheless, the sharpest edge of Showalter’s cultural <g-9T -Ky
critique of hystories is directed against their crossing of the line from private narratives that enable E!;SL|lj.
therapeutic sense to be made of a life, to media-spurred, public, political and judicial “rituals of k3~}7]O)
testimony” that involve accusation and persecution. In a final chapter that warns — a little GL&y@6
hysterically perhaps — of the coming hysterical plague, Showalter likens the emergence and evenq$
H
proliferation of these public discourses to the witch-hunts of the seventeenth century. She concludes RXNn[A4xfY
that this development, demonstrates the “human propensity to paranoia”. :{{F *FM;
At base, Hystories calls for a return to those insights and values arguably delivered by Freud’s p}jE
turn towards fantasy. For Showalter, hystories appear to represent a withdrawal from the hard task W,D4.w$@'
enjoined by those insights: that of grasping as our own unconscious fantasies the violent, .
n TwPrG
destructive, or sexual forces that hystories locate and persecute elsewhere and in others. hC:n5]K
Showalter’s impassioned plea is to return to enlightenment values. “The hysterical epidemics of the q~
tz? T_
1990s continue to do damage”, she concludes “in distracting us from the real problems and crises of "_P
;2N6
modern society, in undermining respect for evidence and truth, and in helping support an MvuQz7M#d
atmosphere of conspiracy and suspicion. They prevent us from claiming our full humanity as free PYiU_
and responsible beings”. It is the recognition of universal human propensities and, in particular, the N%kt3vmQ_
grasping of responsibility for our own projections that promises to move us beyond a culture of K'55O&2
blame inhabited by perpetrators and victims, and towards a freer and a more equal society. 90Pl$#cb2
Comprehension Questions: -M~8{buxv
36. Showalter’s interest in to be found mainly in the academic discipline of ________________. +ndaL
hj'
a. history b. sociology c. psychology d. the media i1UiNJh86
37. According to Showalter, soldiers suffering from psychosomatic ailments known as the ‘Gulf dW_KU}
War Syndrome’ are dealing with ________________. I?]ohG K
a. repressed memories from the First Iraq War (1991) 4hO!\5-w:
b. delusions created by chemical or biological weapons ,bXe<L)
c. unconscious fears about contact with toxins C](f>)Dz
/
d. somatic expression of exposure to depleted uranium \<.+rqa!
38. The attitude of the reviewer of the book by Showalter may best be described as *7:>EP
________________. oNr-Q& C,
a. reserved LVX[uWEM
b. ironic 81](T<
c. sympathetic @>u]4Jn
d. convinced -mAUo;O
39. According to the researcher, mankind has always had the tendency of ________________. ,f<?;z
a. externalization of the causes of unhappiness 9l|@v=gw.
b. reduction of complexities to simplified stories %;cddLQ\xY
c. deification of supernatural phenomena 3?[dE<
d. schizophrenic paranoia 'ZT^PV\
40. The analysis and comparison with seventeenth-century witch-hunts by Showalter, successfully :X0k]p
predicts the hysteria and persecution in our day of _________________. hwu]Er.gn
a. paedophiles U [*FCD!~
b. catholics e63uLWDT
c. veganists wL;lQ&
d. terrorists )n+Lo&C<
请将以下题目的答案填写在答题纸上。 .|hf\1_J
PART III: Reading and Writing =V-A@_^!c
Section A (10 points) ks"|}9\%<
Directions: Some sentences have been removed in the following text. Choose the most suitable {,3>"
one from the list A—G to fit into each of the blanks. There are two extra choices which do not K:!"+q
fit in any of the blanks. ~s%
Md
(1) __________________ Player 1 may not know these particular words of wisdom, but XJ;D=~
chances are she’s thinking much the same as she tries to decide whether to send Player 2 some of <L`KzaA
her $10 stake. If she does, the money will be tripled, and her anonymous partner can choose to | 1E|hh@k
return none, some, or all of the cash. But why should Player 2 send anything back? And why should %4ePc-
Player 1 give anything in the first place? Despite the iron logic of this argument, she types in her X59:C3c
command to send some money. A few moments later she smiles, seeing from her screen that Player Q7*SE%H
2 qo p^;~
has returned a tidy sum that leaves them both showing a net profit. GO8GJ;B-U
(2) ___________________ Based on exactly the same cold logic that Player 1 dismissed, the , 0imiv
so-called Nash equilibrium predicts that in economic transactions between strangers, where one has os,* 3WO
to make decisions based on a forecast of another’s response, the optimal level of trust is zero. Yet *194{ ep
despite the economic orthodoxy, the behavior of Players 1 and 2 is not exceptional. In fact, over the $8;R[SU6Y
course of hundreds of such trials, it turns out that about half of Player 1s send some money, and |y&*MTfV4L
three- quarters of Player 2s who receive it send some back. ]or>?{4g
Zak is a leading protagonist in the relatively new field of neuroeconomics, which aims to s8wmCzB~
understand human social interactions through every level from synapse to society. It is a hugely !>v2i"
ambitious undertaking. By laying bare the mysteries of such nebulous human attributes as trust, 9)}[7Mg:C
neuroeconomists hope to transform our self- understanding. (3) _________________ “ As we learn |s"nM<ZNZ
more about the remarkable internal order of the mind, we will also understand far more deeply the nTuJEFn{
social mind and therefore the external order of personal exchange, and the extended order of ]+(6,ct&.
exchange through markets.” !+1<E*NQ S
(4) __________________ As Zak’s collaborator Steve Knack of the World Bank points out: {)"iiJ
“Trust is one of the most powerful factors affecting a country’s economic health. Where trust is low, d
p2 F
individuals and organizations are more wary about engaging in financial transactions, which tends )0ea+ib
to depress the national economy.” eCN })An
And trust levels differ greatly between nations. The World Values Survey, based at the 7l'6gg
University of Michigan, Ann Arbor, has asked people in countries around the world, “Do you think \n{qsf:
strangers can generally be trusted?” the positive response rate varies from about 65% in Norway to |zR8rqBX;
about 5% in Brazil. (5) __________________ “Policy-makers in these latter countries might be T,]7ICF#
urgently interested in mechanisms that enable them to raise national trust levels,” observes Knack. :A1{ d?B
A. Even more intriguingly, it seems that this urge to respond positively when someone shows #cnq(S=.
trust in us is largely outside our control. ~p1j`r;
B. Crucially for international economic development, what is true for individuals turns out also ~Q?a|mV,
to be true for nations. Pf|siC^;s~
C. Disturbingly, countries where trust is lower than a critical level of about 30%—as is the vY%d
case in much of South America and Africa – risk falling into a permanent suspicion- locked n;(\5{a
poverty trap. 8S%52W|
D. “It’s good to trust; it’s better not to,” goes an Italian proverb. vg
D77
E. They believe their findings even have the potential to help make societies more productive CZ(/=3,3n
and successful. dik:4;
F. He points out that our brains have been tailored by evolution to cope with group living. 0(mkeIzJt/
G. This outcome doesn’t just flout proverbial wisdom, it thumbs its nose at economic theory. "iU}]e0
Section B (10 points) Gs9:6
Directions: Write a 100—120-word summary of the article in this part. lz"OC<D}(
PART IV: Translation ,_yhz0.
Directions: Write your translations in your answer sheet. 5#> 8MU?&
Section A: Translate the underlined sentences into good Chinese. (15 points) MKy[hT:
On the whole, books are less limited than ourselves. (1) Often they sit on the shelves absorbing %1O;fQL
dust long after the writer has turned into a handful of dust—and it is precisely the appetite for this ^zt-HDBR_
posthumous dimension that sets one’s pen in motion. @r#v
[I
So as we toss and turn these rectangular objects in our hands we won’t be terribly amiss if we Q.]}]QE
surmise that we fondle, as it were, the urns with our returning ashes. After all, what goes into U}MXT<6
writing a book is, ultimately, a man’s only life. (2) Whoever said that to philosophize is an exercise QS{1CC9$
in dying was right in more ways than one, for by writing a book nobody gets younger. 89\n;5'f4
Nor does one become any younger by reading one. Since this is so, our natural preference !eEHmRgg4
should be for good books. The paradox, however, lies in the fact that in literature “good” is defined dZi(&s
by its distinction from “bad”. (3) What’s more, to write a good book, a writer must read a great deal <FWF<r3F
of pulp—otherwise he won’t be able to develop the necessary criteria. That’s what may constitute
m9" n4a|:
bad literature’s best defense at the Last Judgment. } p&&_?
Since we are all moribund, and since reading books is time-consuming, we must devise a YN`H
BFH
system that allows us a semblance of economy. Of course, there is no denying the pleasure of :E>HE,1b+
holding up with a fat, slow-moving, mediocre novel, but in the end, we read not for reading’s sake |4T!&[r
but to learn. (4) Hence the need for the works that brings the human predicament into its sharpest A8pIs
possible focus. Hence, too, the need for some compass in the ocean of available printed matter. m|=H#
(5) The role of that compass, of course, is played by literary criticism, by reviewers. Alas, its _io+YzS
needle oscillates wildly. What is north for some is south for others. The trouble with a reviewer is q|Q k2M
threefold: (a) he can be a hack, and as ignorant as ourselves; (b) he can have strong predilections for N5i+3&
a certain kind of writing or simply be on the take with the publishing industry, and (c) if he is a ?Rj ~f{%g
writer of talent, he will turn his review writing into an independent art from—Jorge Luis Borges is a }; f#^gz'
case in point—and you may end up reading reviews rather than the books.
Xtp"QY
p
Section B: Translate the following sentences into good English. (15 points) #B:hPZM1
1. 故宫雄伟、壮丽,是中国古建筑艺术的巅峰之作,其规模和独具特色的风格享誉世界。故 Sh?4ri@:
宫内保存着大量珍贵、稀有的古物,它们对研究明、清两代历史和历史艺术具有十分重要 J2j U4mR
的意义。1925 年故宫改名为故宫博物馆,成为世界最大的博物馆之一。 (;q\}u
2. 这一年,我们隆重纪念了中国人民抗日战争暨世界反法西斯战争胜利 70 周年,举行了盛 rFC" Jx
大阅兵,昭示了正义必胜、和平必胜、人民必胜的真理。我和马英九先生在新加坡会面, L2, 1Kt7
实现了跨越 66 年时空的握手,表明两岸关系和平发展是两岸同胞的共同心愿。 6IWxPt~
3. 新西兰是发达的高福利社会,并以盛产高质量的水果、肉和乳制品著称于世。服务业,特 e _/b2"{
别是旅游以及与教育相关的产业,也在经济发展中起着重要作用。每年有很多来自中国的 xA9:*>+>
游客和留学生来到新西兰享受它所提供的一切。 q*2N{
IdXZoY
Clh!gpB c