PART I: Cloze (20 points) 3LyNi$`f
Directions: Choose the best word(s) for each numbered blank. 7.2G}O6$
Production workers must be able to do statistical quality control. Production workers must be z}}
P+P/
able to do just-in-time inventories. Managers are increasingly shifting from a "don't think, do what OL_#Uu
you are told" to a "think, I am not going to tell you what to do" style of management.
9PV]bt,
This shift occurs not because today's managers are more ___(1)___ than yesterday's managers, ^$dbyj`
but because the evidence is mounting that the second style of management is more ___(2)___ than #Fo#f<bp
the first style of management. But this means that problems of training and motivating the work ]Ndy12,M
force both become more central and require different models of behavior. |[r7B*fw
To be on top of this situation, tomorrow's managers will have to have strong background in =x?WZMO
organizational psychology, human relations, and labor ___(3)___. The MIT Sloan School of quickly G8'{nPA~
management attempts to ___(4)___ our understanding in these areas through research and then g/l:q&Q<
quickly bring the ___(5)___ of this new research to our students so that they can be leading-edge wIAH,3
!
managers when it comes to the human side of the equation. DXj>u9*%
The first three decades after World War II were ___(6)___ in ___(7)___ the United States had a P )oNNY6}
huge technological lead ___(8)___ all the rest in the world. In a very real sense, ___(9)___ PN99 R]K0g
technological competitive. American firms did not have to worry about their technological UM0Ws|qx&
competitiveness because they were ___(10)___. T_s09Wl
But that world has disappeared. Today we live in a world where American firms ___(11)___ g :B4zlKG
have automatic technological ___(12)___. In some areas they are still ahead, in some areas they are '>"blfix8
_ RIUJX{?
__(13)___, and in some areas they are behind, but on average, they are average. wWx{#
!W
___(14)___ this means is that American managers have to understand the forces of technical y(
iq
change in ways ___(15)___ were not necessary in the past. Conversely, managers from the rest of o=!_.lDF:
the world know that it is now possible for them to dominate their American competitors if they E ,ilJl\
understand the forces of technical change better than their American competitors do. +VQD'
In the world of tomorrow managers cannot be technologically ___(16)___ ___(17)___ their PepR]ym
functional tasks within the firm. They don't have to be scientists or engineers inventing new GzaGTd.b
technologies, ___(18)___ they have to be managers who understand when to bet and when not bet 5~UW=
on new technologies. If they ___(19)___ what is going on and technology effectively becomes a K 0o F=|
black box, they ___(20)___ to make the changes. They will be losers, not winners. czT2f
1 a. enlightened b. enlightening c. enlightenment d. enlighten ~}{
_/8'5
-Op^3WWyY
2 a. sterile b. producing c. productive d. extravagant %t6-wWM97
3 a. economics b. economic c. economy d. economies dPpJDY0
4 a. take b. arouse c. rise d. advance %2b^t*CQ
5 . a. results b. evidence c. content d. fruits u^MRKLn
6 a. usual b. flawed c. unusual d. unessential IS!OO<
7 . a. which b. / c. that d. those rqp]{?33
8 a. by b. over c. on d. upon }=\?]9
`
9 a. was the world not b. the world was not c. did the world be not d. was not the world 2[(~_VJ
10 a.superior b. super c. inferior d. junior 3O-vO=D
11 a. still b. even c. neither d. no longer zx$1.IM"4
12 a. superiority b. inferiority c. majority d. minority =Yl ea,S
13 a. common b. average c. ignorant d. exceptional *aS+XnT/
14 a. How b. That c. What d. Which 5_](N$$
15 a. that b. they c. those d. who |By[ev"Kh%
16 a. illiterate b. sophisticated c. literate d. omniscient R{Zd ]HT
17 a. regardless b. in spite of c. despite d. regardless of mj9sX^$dE
18 a. and b. likewise c. furthermore d. but }.'rhR+
19 a. didn’t understand b. don't understand c. haven’t understood d. hadn’t understood 4'`P+p"A
20 a. failed b. would have failed c. would fail d. would be failed 1|w@f&W"
P%Vq#5
vR!g1gI23
. yZ[g2*1L
PART II: Reading Comprehension (30 points) rOE:
ap|KL
Directions: Choose the best answers based on the information in the passages below. 6@8t>"}
Passage 1 /RqWrpzx@
The leaders of the mythopoetic men's movement believe that modernization has led to the ^Y+C!I
feminization of men. Mythopoets believe that the rise of the urban industrial society "trapped men N8Z z6{rp
into straitjackets of rationality, thus blunting the powerful emotional communion and collective B K=w'1U
spiritual transcendence that they believe men in tribal societies typically enjoyed". Most "OwVCym?
importantly, the movement seeks to restore the "deep masculine" to men who have lost it in their 2'- "&d+O
more modern lifestyles. Other causes for the loss of the "deep masculine" include: Men no longer u<cnz%@
being comrades who celebrated their masculinity together. Rather, they had become competitors 7M7Ir\d0lp
within their workplaces; Men spending more time in their houses with women than they did with S :}"gwFM
men (in non-competitive terms outside of work). Excessive interaction with women generally kept ARf{hiV6Wt
men from realizing their internal masculinity; Feminism is bringing attention to the “feminine m#8[")a$"
voice.” Through this, the mythopoetic men felt that their voices had been muted (though Bly and MA:5'n
others are careful in not blaming feminism for this); The separation of men from their fathers kept n6WKk+
them from being truly initiated into manhood, and was a source of emotional damage. Men were m
rnPZf i
suffering further emotional damage due to feminist accusations about sexism. Men should celebrate
:zKMw=
their differences from women, rather than feeling guilty about them. Men is being discouraged from R^/SBrWve
expressing their emotions. Male inexpressivity is an epidemic and does not correspond to their HBOyiIm Q
"deep masculine" natures. Groups of primarily white, middle-aged, heterosexual men from the bz#]>RD
professional class retreated from their female loved ones in order to join in spiritual rituals that Pb8@owG8
emphasized homosociality, with the central goal of reclaiming the parts of their masculinity that CKK}Z;~:
they had lost called the "deep masculine." Because most men no longer perform masculine rituals, :[_msd
mythopoets assert that men have mutated into destructive, hypermasculine chauvinists, or, in the @
G)yz!H
opposite direction, have become too feminized. The mythopoetic men performed rituals at these U3V5Jor#
gatherings, which were meant to imitate those performed by tribal societies when men initiated |SjRss:i+
boys into a deeply essential natural manhood. The movement emphasized the importance of (VjU ,'h
including multiple generations of men in the rituals, so that the men could learn about masculinity R'tK
J_VI
from those who were older and wiser. Characteristic of the early mythopoetic movement was a \/Mx|7<
tendency to retell myths, legends and folktales, and engage in their exegesis as a tool for personal '{jr9Vh
insight. Using frequent references to archetypes as drawn from Jungiananalytical psychology, the _i+@HXR &
movement focused on issues of gender role, gender identity and wellness for the modern man (and [MFnS",7c
woman). Advocates would often engage in storytelling with music, these acts being seen as a :NF4[c
modern extension to a form of "new ageshamanism" popularized by Michael Harner at byM-$l
approximately the same time. The movement sought to empower men by means of equating BtC*]WB"_'
archetypal characters with their own emotions and abilities. For instance, Michael Messner DaQl ip
describes the concept of "Zeus energy" as emphasizing "male authority accepted for the good of the ~bhS$*t64
community". Beliefs about the emotional system based in archetypes of great men, mythopoets rR#Ditn^
sought to channel these characters in themselves, so that they could unleash their "animal-males". O9sEaVX
This group primarily analyzed the archetypes of King, Warrior, Magician, Lover and Wildman. c[,h|~K/_?
As a self-help movement the mythopoetic movement tends not to take explicit stances on R{H[< s+n
political issues such as feminism, gay rights or family law (such as the issues of divorce, domestic $mn0I69
violence or child custody), preferring instead to stay focused on emotional and psychological Fye>H6MU
well-being. Because of this neutrality, the movement became a site of social criticism by feminists, 1g{Pe`G,
and was often characterized as anti-intellectual as well as apolitical. Michael Messner once gave a 3x
0t[{l
speech at a gathering, in which he addressed the dangers of celebrating the warrior, as instances of aaR& -M@
rape are higher in countries that glorify war. The mythopoets responded that they were not C_Ewu*T7
interested in intellectual or political pursuits, but were primarily concerned with conducting H&)}Z6C"
spiritual and emotional work. Additional feminist critique revolved around the movement's absence 3T2]V?
of women's perspectives, as well as the essentialism in the movement's teachings. @&ZQDi
Comprehension Questions: DW. w=L|5R
.$18%jH#
<(xqw<)
21. The mythopoetic men's movement can best be understood as ________________. Tnp
P '
a. a men’s literary movement mn/)_1',
c. a men's rights movement ?RsrY4P
b. a men's liberation movement XMrk2]_
d. a second-wave feminist movement \VNu35* J|
22. The mythopoetic men's movement consists of groups of men who retreated from their female S(zp_
loved ones in order to strive for ________________. }Kp!,
a. gay rights ,CfslhO{j
b. same-sex marriage ><<>4(eF p
c. masculinity ZZY# .
d. myths, legends and folktales fMUcVTFe
23. The idea that modernization has led to the feminization of men means that =,6H2ew
_________________. ngo> ^9/8
a. men cannot be themselves LhJUoX
c. men’s voices have changed wjA
wJOw|
b. men can no longer make friends H7zN|NdNw
d. men cannot express themselves qoO`)
<
2 xyp{_ MZ
24. The root issue is ________________. hNN>Pd~;
a. feminism @Rr=uf G
b. masculinity uJw?5kEbv<
c. sex V8^la'_j
d. gender >JpBX+]5m
25. According to the text, the causes for rape must be sought in _________________. Er;/zxg9p
a. the celebration of the archetype of the warrior 7>N~l
b. the unleashing of men’s "animal-males” 'f5
8Jwql
c. domestic violence UA>=#
$
d. the loss of masculine rituals 'ygKP6M
2u3Kyn
Passage 2 {VcRur}&Y8
Although in the novel the millennium has been and gone, there are no references at all to real c1#0o)q*7
contemporary American or global political events of the time of writing. Chapstick, Pledge, and #T=iS(i
Skevener in their study The Endless Loop of History: Space Time in the work of David Foster xl&@g)Jj
Wallace (London 2001) have already noted the way Infinite Jest divorces itself from history by the ;wn9
21r
use of sci fi elements. They note how compared with the American post moderns, whose works L@N%S Sf
interact with real historical time, Infinite Jest takes place in an ahistorical, allegorical time. DFW’s 8y
LcTA$T
invention of Subsidized Time, and the renaming of years after products and companies shows the ={g)[:(C.
way in which the soul-rotting effects of advertising infect time as well as internal and external ZQ`8RF *v
space (cf: Phillip K Dick’s adverts projected onto the moon in The Man in the High Castle). i|eX X)$
Otherwise, the ubiquitous presence of advertising in contemporary daily life is absent from the GA^hev
novel. Actually, this is not correct. The theme of waste management (also the underlying structure R"B{IWQi
of Don DeLillo’s novel Underworld) reflects some of the anxieties of the 90s, the decade in which (?z?/4>7<
the novel was written: namely, global warming, environmental concerns, nuclear waste =H{<}>W'
management, including its export to third world countries, the trading of carbon emission points, R@c] )\^]
futures swaps in carbon footprints etc. DFW is here simply satirizing contemporary concerns; and a TU|#Pz7n-Z
Freudian reading of this theme is both unnecessary and not really illuminating, Don Gately’s work WtOjPW
as a shit hoser notwithstanding. DFW’s use of spurious knowledge and scholarship (including a *!QmYH5r0
spurious academic apparatus at the back of the book) has been amply commented on, especially the #Vk?
doubtful physics of J.O. Incandenza’s work with lenses and nuclear annulation, and the iffey math *AH`ob}
involved in the Eschaton game. By his use of the spurious DFW is not only satirizing the discourse *zdD4I=
of academic knowledge, but making a serious point about the extent and typology of knowledge ^/n1hg
itself. Once knowledge becomes so specialized as to become comprehensible to only a very few }U}zS@kI
those firmly inside the discourse- what status does that knowledge gain? To those outside the hK?GIbRZ
discourse, the knowledge can only be taken on trust, and therefore all manner of hoods may be >|3Y+X
winked. In this case the boundaries between the fictional and the real become blurred, a matter for f^p
BXz9&=
argument. We are used to questioning the reliability of the narrative voice in fiction, but not so able EQyX!
to question in the same way the reliability of academic discourse or specialist knowledge. The =xk>yw!O)
presence of the spurious next to the real infects the real, inviting us to extend our distrust of 72l:[5ccR
fictional narrative to non-fictional exposition, the fiction (le mensonge) and the truth become j4X
Vk@'OX
mirrors of each other. The title of a work stands in metonymic relationship to the content of the ?`RlYu
work: War and Peace, for example, signifies the two main themes and structuring devices of that ]
(e ,J
novel. For existing books, (real, read books), the title summons up everything we know or tA1?8`bQ
remember about the book. Where that work is non-existent (fictional, spurious, lost or simply c7CYulm
unknown/unread) the title acts as an empty signifier, which we can fill with our imagination, ^Gk)aX
effectively writing the work ourselves in a flash. Barthes calls these bookless titles prolepses; & AK\Pw)
Nabokov creates summaries and detailed commentaries for them (in Pale Fire and The Real life of \GEz.Vb
Sebastian Knight); Borges bases his whole stylistics on this process of metonymic expansion; and "`M~=RiI
Eco fills entire imaginary libraries with these fantastical books. DFW for his imaginary works, like P00G*iY~\
Hoffmann, has a penchant for excessively long and humorous titles, whose length guides us in this 5(<O?#P
process of creation cf: Good Looking Men in Small Clever Rooms that Utilize Every Centimeter of QGN+f)
Available Space With Mind-Boggling Efficiency (title of one of J.O. Incandenza’s entertainments), !Q\*a-C
and Mousetraps and their Influence on the Character and Achievement of the Feline Race (title of 1uw1(iL+
one of Murr’s books from Hoffmann’s The Life and Opinions of the Tomcat Murr). W3~u J(
JV_`E_!
Comprehension Questions: "rMfe>;FJ
26. According to the author, the use of some of the anxieties of the 90s does not contradict the j \rGU){
proposition that the novel Infinite Jest takes place in an ahistorical time because SY
Bp-o
______________. w10~IP
a. the millennium has been and gone > %KEMlKZ
b. DFW is here simply satirizing contemporary concerns w6Gez~8
c. DFW’s invention of Subsidized Time /)[-5n{
d. he uses sci fi elements gw)z*3]~s
27. DFW’s invention of Subsidized Time exemplifies _______________. @vq)Y2)r\
a. the ubiquitous presence of advertising in contemporary daily life XW aa`q
b. the commercialization of American society UG\2wH_
c. the endless loop of history <,$*(dX)(
d. American post modernism l^I?@{W
28. Following Roland Barthes, which of the following titles would be an example of prolepsis? #_^p~:
a. War and Peace. rhLhFN{h
b. The Real life of Sebastian Knight A< .5=E,/
c. Mousetraps and their Influence on the Character and Achievement of the Feline Race. 50 w$PW
d. The Life and Opinions of the Tomcat Murr cEf"m?w
29. An innovation by DFW to post modern fiction is exemplified by ________________. wdj?T`4
a. the unreliable narrator uKzx >\}?1
b. the distrust of academic discourse iZk4KX
c. the process of metonymic expansion a5Vlfx
d. fictional, spurious, lost or simply unknown/unread works F4~OsgZ'N
30. The title of the novel suggests that it is ________________. n',7=~
a. an allegory n3?P8m$
b. a parody #}fvjJ{
c. an apophasis +o3n%( ^~
d. a procatalepsis _3W .:
Passage 3 lI46
f
According to the Koran, it was on a Tuesday that Allah created darkness. Last September 11, xj33g6S
when suicide pilots were crashing commercial airliners into crowded American buildings, I did not =P,mix|
have to look to the calendar to see what day it was: Dark Tuesday was casting its long shadow t ^>07#z
across Manhattan and along the Potomac River. I was also not surprised that despite the seven or so lq-F*r\/~+
trillion dollars that we have spent since 1950 on what is euphemistically called “defense,” there !0^4D=dO
would have been no advance warning from the FBI or CIA or Defense Intelligence Agency. GR(m+%Vw!
While the Bushites have been eagerly preparing for the last war but two—missiles from North _"F=4`lJ
Korea, clearly marked with flags, would rain down on Portland, Oregon, only to be intercepted by |:SV=
T:
our missile-shield balloons—the foxy Osama bin Laden knew that all he needed for his holy war on i.^UkN{
the infidel were fliers willing to kill themselves along with those random passengers who happened &:C[
n q
to be aboard hijacked airliners. ~{g/
For several decades there has been an unrelenting demonization of the Muslim world in the rc:UG "[
American media. Since I am a loyal American, I am not supposed to tell you why this has taken 3v$n}.
place, but then it is not usual for us to examine why anything happens; we simply accuse others of Z
OAg7
motiveless malignity. “We are good,” G.W. proclaims, “They are evil,” which wraps that one up in K~]Xx~F
a neat package. Later, Bush himself put, as it were, the bow on the package in an address to a joint 9(
X~
session of Congress where he shared with them—as well as with the rest of us some-where over the L})fYVX
Beltway—his profound knowledge of Islam’s wiles and ways: “They hate what they see right here ej7N5~!,s
in this Chamber.” I suspect a million Americans nodded sadly in front of their TV sets. “Their 3#""`]
9H
leaders are self-appointed. They hate our freedoms, our freedom of religion, our freedom of speech, ve a$G~[%6
our freedom to vote and assemble and disagree with each other.” At this plangent moment what ?l[#d7IB
American’s gorge did not rise like a Florida chad to the bait? 6_8y Q
A member of the Pentagon Junta, Rumsfeld, a skilled stand-up comic, daily made fun of a i< imE#
large group of “journalists” on prime-time TV. At great, and often amusing, length, Rummy tells us {?w*n_T.
nothing about our losses and their losses. He did seem to believe that the sentimental Osama was VAheus
holed up in a cave on the Pakistan border instead of settled in a palace in Indonesia or Malaysia, `nII@ !
two densely populated countries where he is admired and we are not. In any case, never before in \\Zsxya1
our long history of undeclared unconstitutional wars have we, the American people, been treated -hF!_);{
with such impish disdain—so many irrelevant spear carriers to be highly taxed (those of us who are dqU)(T=C
not rich) and occasionally invited to participate in the odd rigged poll. ^755LW
The Bush administration, though eerily inept in all but its principal task, which is to exempt the 1*#hIuoj'
rich from taxes, has casually torn up most of the treaties to which civilized nations subscribe—like PHez5 }T
the Kyoto Accords or the nuclear missile agreement with Russia. The Bushites go about their ,DWq
relentless plundering of the Treasury and now, thanks to Osama, Social Security (a supposedly DjZTr}%q
untouchable trust fund), which, like Lucky Strike green, has gone to a war currently costing us $3 I8W9Kzf
billion a month. They have also allowed the FBI and CIA either to run amok or not budge at all, u3 +]3!BQ
leaving us, the very first “indispensable” and—at popular request—last global empire, rather like ca,JQrm
the Wizard of Oz doing his odd pretend-magic tricks while hoping not to be found out. Meanwhile, SoCN.J30
G.W. booms, “Either you are with us or you are with the Terrorists.” That’s known as asking for it. e=tM=i"
Comprehension Questions: ev7A;;
5M>SrZH
4dz Ym+vJm
31. The author believes that America’s defense spending ______________. a[=B?Bd
a. protects the national security s}^W2
c. primarily fights terror "|WKK}
b. is good for humanity )C$Ij9
<A
d. is a misnomer ]'#^ ~.
32. The author uses the term “rigged pole” to ______________. H!y-o'Z
a. cast doubt upon the voting process #Guwbg
b. refer to public opinion polls ]VN1Y)
d. add humor to an otherwise serious article ;$r!eFY;
c. remind the reader of political corruption {!4ZRNy(k
33. In the essay, President George W Bush’s use of dichotomy is portrayed as ______________. 5tVg++I
a. jingoistic and rational b. misleading and simplistic mL@7,G
D
c. well-considered and politically expedient d. effective rhetoric that will stand the test of time }V+&o\4
34. The use of the term “Pentagon junta” indicates the author’s belief that ______________. m}m|(;T
a. the Pentagon has transformed into a populist political machine ZI!;~q
b. the leaders of America’s military establishment were overrepresented in Bush’s White House Y=UN`vRR
c. the military-industrial complex has taken control of America’s political process !uKuO
d. journalists have not been able to get solid information from the Bush administration XOZ@ek)LY
35. When the author mentions the Tresury, Social Security, the FBI, and the CIA, he intends to tgrZs8?
highlight the fact that ______________. k~1{|HxrE
a. war-related expenses are like magic tricks cPl$N5/5
b. America is spending harmful amounts of money on “security” _ =(v? 2:?
c. it is difficult to fund the American empire {RH)&k&%
d. America’s empire is not popular, but it may be necessary to maintain “security” N
u}Zsb|{
Passage 4 HxShNU
The ground broken by Freud and Breuer’s pronouncement, in the “Preliminary U&gl$/4U@
Communication” concerning the psychogenesis of hysteria, that “hysterics suffer mainly from ;uU 8$
reminiscences” brought to view the tangled roots linking the developing concept of a hidden and 04E#d.o'
powerful unconscious with nineteenth century anxieties concerning memory’s absence and excess. O FlY"OS[
Freud’s later emphasis upon fantasy, rather than memory, in his revised writings on hysteria’s Xu[A,6
aetiology can be regarded, in part, as the vanquishing of memory’s unbiddability by fantasy’s KlRIJOS
origins in unconscious wishes and anxieties. PkdL] !:
Two qualifying currents ran through this new emphasis upon fantasy and desire rather than X4v0>c
upon involuntary memory. First, the issue of personal responsibility raised by this new emphasis on UZW
)%
unconscious sexual and violent fantasies was mitigated by Freud’s consolation to his earliest ]*AQT7PH
hysterical patients that “we are not responsible for our feelings”. Second, the possible association oSs~*mf
only of fantasy with the determining force of unconscious inner processes. %y\
Hystories, which continues its author’s earlier study of hysteria associates this return with the <~.1>CI9D3
development of a divisive “survivor” culture characterized by blame and vengeful litigation. 1&YkRCn0
Showalter’s fundamentally Enlightenment critique of this culture suggests that only a renewed ohB@ij C!
emphasis upon fantasy can rescue contemporary western culture from the distortions that threaten RMxFo\TK;
its stability and limit its capacity for healthy and democratically organized public life. In short, y$HV;%G{26
Showalter calls for the nurturing of a psychically enlightened culture within which collective or \w@ "`
!%
individual responsibility can be acknowledged for violent, fearful, or sexual fantasies. >o!~T}J7
The thesis propounded in this polemical and accessible work is that hysteria, despite the views 8Nf%<nUv
of the psychological establishment, is “alive and well” in the late twentieth century western world, |VML.u:N
though in transformed guise. Hysteria’s domain has shifted, argues Showalter, from the clinic to the e:RgCDWL
popular narrative, or “history”, in which various arguably “traumatic experiences” take centre-stage. m2PI^?|e
TV, the popular press, and e-mail spread hystories with which growing numbers of troubled a.s5>:Ct
individuals are coming to identify. These hystories of ME, Gulf War Syndrome, recovered memory, .d%CD`8!
multiple personality disorder, satanic abuse and alien abduction each provide explanatory narratives t\\`#gc9~i
that allow somatic or psychical symptoms. &BJ"T
The sub-title of the US version of Hystories and aspects of its argument foreground the part 7F wot&