PART I: Cloze (20 points) V`V\/s gj
Directions: Choose the best word(s) for each numbered blank. *IG
$"nu
Production workers must be able to do statistical quality control. Production workers must be a)qan
able to do just-in-time inventories. Managers are increasingly shifting from a "don't think, do what )-C3z
you are told" to a "think, I am not going to tell you what to do" style of management. yK~=6^M
This shift occurs not because today's managers are more ___(1)___ than yesterday's managers, IPiV_c-l
but because the evidence is mounting that the second style of management is more ___(2)___ than {28|LwmL
the first style of management. But this means that problems of training and motivating the work Fnw:alWr
force both become more central and require different models of behavior. qNp1<QO0
To be on top of this situation, tomorrow's managers will have to have strong background in \8`?ir
q"
organizational psychology, human relations, and labor ___(3)___. The MIT Sloan School of quickly mgs(n5V5
management attempts to ___(4)___ our understanding in these areas through research and then TJ|Jv8j<s
quickly bring the ___(5)___ of this new research to our students so that they can be leading-edge VtreOJ+
managers when it comes to the human side of the equation. nwRltK
The first three decades after World War II were ___(6)___ in ___(7)___ the United States had a c OYDN[k
huge technological lead ___(8)___ all the rest in the world. In a very real sense, ___(9)___ Tb/TP3N
technological competitive. American firms did not have to worry about their technological b
z>X~
competitiveness because they were ___(10)___. $6hP
Tc<C
But that world has disappeared. Today we live in a world where American firms ___(11)___ j0jl$^
have automatic technological ___(12)___. In some areas they are still ahead, in some areas they are Y+gY"
_ ~Bd=]a$mj
__(13)___, and in some areas they are behind, but on average, they are average. *7BfK(9T
___(14)___ this means is that American managers have to understand the forces of technical /?\3%<vn
change in ways ___(15)___ were not necessary in the past. Conversely, managers from the rest of R%E7 |NAG
the world know that it is now possible for them to dominate their American competitors if they 6%D9;-N)
understand the forces of technical change better than their American competitors do. 5E:$\z;
In the world of tomorrow managers cannot be technologically ___(16)___ ___(17)___ their zM0NRERi
functional tasks within the firm. They don't have to be scientists or engineers inventing new {|;a?]?
technologies, ___(18)___ they have to be managers who understand when to bet and when not bet 8%@|/
on new technologies. If they ___(19)___ what is going on and technology effectively becomes a 6Rd4waj_,U
black box, they ___(20)___ to make the changes. They will be losers, not winners. }x8!{Y#cF
1 a. enlightened b. enlightening c. enlightenment d. enlighten >4 OXG7.&f
~MpikBf
2 a. sterile b. producing c. productive d. extravagant ,pNx(a
3 a. economics b. economic c. economy d. economies :5d>^6eoB?
4 a. take b. arouse c. rise d. advance 2[E wN!IZ
5 . a. results b. evidence c. content d. fruits 8;PkuJR_]
6 a. usual b. flawed c. unusual d. unessential IThd\#=
7 . a. which b. / c. that d. those p!.~hw9
8 a. by b. over c. on d. upon xad`-
vw
9 a. was the world not b. the world was not c. did the world be not d. was not the world lame/B&nc
10 a.superior b. super c. inferior d. junior yD
WIflP0;
11 a. still b. even c. neither d. no longer FLZ9pb[T
12 a. superiority b. inferiority c. majority d. minority 0=d2_YzSf
13 a. common b. average c. ignorant d. exceptional h}b:-a
14 a. How b. That c. What d. Which Lu.zc='\
15 a. that b. they c. those d. who lQA5HzC\
16 a. illiterate b. sophisticated c. literate d. omniscient #6sz@X fV
17 a. regardless b. in spite of c. despite d. regardless of &&ioGy}1
18 a. and b. likewise c. furthermore d. but d@%"B($nR
19 a. didn’t understand b. don't understand c. haven’t understood d. hadn’t understood sFU< PgV
20 a. failed b. would have failed c. would fail d. would be failed )U^=`* 7
j!;LN)s@?
LiJYyp
. _1"
ecaA
PART II: Reading Comprehension (30 points) *4,Q9K_
Directions: Choose the best answers based on the information in the passages below. +9)JtmoL
Passage 1 OG\i?N
The leaders of the mythopoetic men's movement believe that modernization has led to the [m~J6WB
feminization of men. Mythopoets believe that the rise of the urban industrial society "trapped men wjarQog5Y
into straitjackets of rationality, thus blunting the powerful emotional communion and collective dBWny&
spiritual transcendence that they believe men in tribal societies typically enjoyed". Most nD
wh
importantly, the movement seeks to restore the "deep masculine" to men who have lost it in their :uL<UD,vu3
more modern lifestyles. Other causes for the loss of the "deep masculine" include: Men no longer ZR
.k'
being comrades who celebrated their masculinity together. Rather, they had become competitors "hkcN+=
within their workplaces; Men spending more time in their houses with women than they did with T^bAO-d#
men (in non-competitive terms outside of work). Excessive interaction with women generally kept L3&Ys3-h
men from realizing their internal masculinity; Feminism is bringing attention to the “feminine }$6L]
voice.” Through this, the mythopoetic men felt that their voices had been muted (though Bly and ~uQ*u.wi
others are careful in not blaming feminism for this); The separation of men from their fathers kept Spm 0`
them from being truly initiated into manhood, and was a source of emotional damage. Men were *D5 xbkH=.
suffering further emotional damage due to feminist accusations about sexism. Men should celebrate -H|
982=
their differences from women, rather than feeling guilty about them. Men is being discouraged from 'u,|*o
expressing their emotions. Male inexpressivity is an epidemic and does not correspond to their bWPsfUn#
"deep masculine" natures. Groups of primarily white, middle-aged, heterosexual men from the
)>a~ %~:
professional class retreated from their female loved ones in order to join in spiritual rituals that + NlnK6T/
emphasized homosociality, with the central goal of reclaiming the parts of their masculinity that <o E
Ay
they had lost called the "deep masculine." Because most men no longer perform masculine rituals, +{UY9_~\3
mythopoets assert that men have mutated into destructive, hypermasculine chauvinists, or, in the XM'tIE+|
opposite direction, have become too feminized. The mythopoetic men performed rituals at these {kpad(E
gatherings, which were meant to imitate those performed by tribal societies when men initiated n,I3\l9
boys into a deeply essential natural manhood. The movement emphasized the importance of +VwQ=[y]
including multiple generations of men in the rituals, so that the men could learn about masculinity
]jT}]9Q$
from those who were older and wiser. Characteristic of the early mythopoetic movement was a 6?Ncgj
&@
tendency to retell myths, legends and folktales, and engage in their exegesis as a tool for personal 2>z YJqG|
insight. Using frequent references to archetypes as drawn from Jungiananalytical psychology, the @]uqC~a^
movement focused on issues of gender role, gender identity and wellness for the modern man (and E@VQxB7+
woman). Advocates would often engage in storytelling with music, these acts being seen as a zJQh~)
modern extension to a form of "new ageshamanism" popularized by Michael Harner at X [Y0r
approximately the same time. The movement sought to empower men by means of equating ^[<BMk
archetypal characters with their own emotions and abilities. For instance, Michael Messner Nt>^2Mv
describes the concept of "Zeus energy" as emphasizing "male authority accepted for the good of the EJ:O 1
community". Beliefs about the emotional system based in archetypes of great men, mythopoets 3%v)!dTa<^
sought to channel these characters in themselves, so that they could unleash their "animal-males". :Cq73:1\B
This group primarily analyzed the archetypes of King, Warrior, Magician, Lover and Wildman. Dfs^W{YA
As a self-help movement the mythopoetic movement tends not to take explicit stances on fA=Z):w
political issues such as feminism, gay rights or family law (such as the issues of divorce, domestic Xv1vq
-cM
violence or child custody), preferring instead to stay focused on emotional and psychological PD#,KqL:
well-being. Because of this neutrality, the movement became a site of social criticism by feminists, pcMzLMG<
and was often characterized as anti-intellectual as well as apolitical. Michael Messner once gave a 91OxUVd
speech at a gathering, in which he addressed the dangers of celebrating the warrior, as instances of ki1(b]rf
rape are higher in countries that glorify war. The mythopoets responded that they were not ybaY+![*
interested in intellectual or political pursuits, but were primarily concerned with conducting O|Uz)Y94
spiritual and emotional work. Additional feminist critique revolved around the movement's absence &ALnE:F
of women's perspectives, as well as the essentialism in the movement's teachings. MA
.;=T
Comprehension Questions: #GM^ :rF
5lsslE+:J
J[lC$X[
21. The mythopoetic men's movement can best be understood as ________________. eV7;#w<]
a. a men’s literary movement O_QDjxj^rZ
c. a men's rights movement *aErwGLB8
b. a men's liberation movement $dM_uSt
d. a second-wave feminist movement 0%%1:W-
22. The mythopoetic men's movement consists of groups of men who retreated from their female 3.W[]zH/u
loved ones in order to strive for ________________. pg{VKrT`
a. gay rights -YNpHd/;,
b. same-sex marriage yD"]:ts3
c. masculinity _E'?
U
d. myths, legends and folktales ~n=DI/AJ@-
23. The idea that modernization has led to the feminization of men means that YsmRY=3
_________________. ~z^?+MgZ2
a. men cannot be themselves nJI2IPZ
c. men’s voices have changed L{/%
"2>
b. men can no longer make friends $RDlM
d. men cannot express themselves vyZ&%?{*R
2 8N&'n
24. The root issue is ________________. 7z?;z<VJ
a. feminism B*tYp
b. masculinity !!\}-r^y%
c. sex >XtfT'
d. gender gnJ8tuS
25. According to the text, the causes for rape must be sought in _________________. mZ71_4X#
a. the celebration of the archetype of the warrior :
UeK0
b. the unleashing of men’s "animal-males” {Zgd
c. domestic violence >YI Vi4''
d. the loss of masculine rituals um%_kX
t:2DB)
Passage 2 <,
CrE5Pl
Although in the novel the millennium has been and gone, there are no references at all to real 4Y(@
KU
b
contemporary American or global political events of the time of writing. Chapstick, Pledge, and +2`BZ}5y
Skevener in their study The Endless Loop of History: Space Time in the work of David Foster +q&Hj|;8r
Wallace (London 2001) have already noted the way Infinite Jest divorces itself from history by the ?^voA.Bv<
use of sci fi elements. They note how compared with the American post moderns, whose works
ZiUb+;JA
interact with real historical time, Infinite Jest takes place in an ahistorical, allegorical time. DFW’s 1AAyzAP9`
invention of Subsidized Time, and the renaming of years after products and companies shows the vM/*S
6[
way in which the soul-rotting effects of advertising infect time as well as internal and external 9gg{
i6
space (cf: Phillip K Dick’s adverts projected onto the moon in The Man in the High Castle). 1<ag=D`F_"
Otherwise, the ubiquitous presence of advertising in contemporary daily life is absent from the M
v6 ^('
novel. Actually, this is not correct. The theme of waste management (also the underlying structure %o8o~B|{.U
of Don DeLillo’s novel Underworld) reflects some of the anxieties of the 90s, the decade in which EHUx~Q
the novel was written: namely, global warming, environmental concerns, nuclear waste vH+g*A0S<
management, including its export to third world countries, the trading of carbon emission points, z>W:+W"o
futures swaps in carbon footprints etc. DFW is here simply satirizing contemporary concerns; and a b,Wm]N
Freudian reading of this theme is both unnecessary and not really illuminating, Don Gately’s work x3ZF6)@
as a shit hoser notwithstanding. DFW’s use of spurious knowledge and scholarship (including a <UGaIb
spurious academic apparatus at the back of the book) has been amply commented on, especially the BpIyw
doubtful physics of J.O. Incandenza’s work with lenses and nuclear annulation, and the iffey math 3y)\dln
involved in the Eschaton game. By his use of the spurious DFW is not only satirizing the discourse C
@
XS
of academic knowledge, but making a serious point about the extent and typology of knowledge wqo:gW_
itself. Once knowledge becomes so specialized as to become comprehensible to only a very few ) lUS' I
those firmly inside the discourse- what status does that knowledge gain? To those outside the tLu&3<%
discourse, the knowledge can only be taken on trust, and therefore all manner of hoods may be M
FIb-*wT
winked. In this case the boundaries between the fictional and the real become blurred, a matter for brA#p>4]Wf
argument. We are used to questioning the reliability of the narrative voice in fiction, but not so able rxyv+@~Nc
to question in the same way the reliability of academic discourse or specialist knowledge. The \\S
QACN
presence of the spurious next to the real infects the real, inviting us to extend our distrust of
e)uC
fictional narrative to non-fictional exposition, the fiction (le mensonge) and the truth become }StzhV{GS
mirrors of each other. The title of a work stands in metonymic relationship to the content of the -K/+}4i3N
work: War and Peace, for example, signifies the two main themes and structuring devices of that }r,M(Zr
novel. For existing books, (real, read books), the title summons up everything we know or [e><^R*u
remember about the book. Where that work is non-existent (fictional, spurious, lost or simply =2&\<Q_Fi
unknown/unread) the title acts as an empty signifier, which we can fill with our imagination, _=$~l^Y[
effectively writing the work ourselves in a flash. Barthes calls these bookless titles prolepses; *aCL/:
Nabokov creates summaries and detailed commentaries for them (in Pale Fire and The Real life of ]r;rAOWVV
Sebastian Knight); Borges bases his whole stylistics on this process of metonymic expansion; and dWn6-es
Eco fills entire imaginary libraries with these fantastical books. DFW for his imaginary works, like ?"@Fq2xgB4
Hoffmann, has a penchant for excessively long and humorous titles, whose length guides us in this ( 1z"=NCp
process of creation cf: Good Looking Men in Small Clever Rooms that Utilize Every Centimeter of 5qrD~D'
Available Space With Mind-Boggling Efficiency (title of one of J.O. Incandenza’s entertainments), 5az%yS
and Mousetraps and their Influence on the Character and Achievement of the Feline Race (title of h@`Rk
one of Murr’s books from Hoffmann’s The Life and Opinions of the Tomcat Murr). ^t'mW;C$4
p-$C*0{
Comprehension Questions: EA~xxKq
26. According to the author, the use of some of the anxieties of the 90s does not contradict the
}sxs-
proposition that the novel Infinite Jest takes place in an ahistorical time because 8;g
i8Y
______________. [WDzaRzd
a. the millennium has been and gone ^ = C>
b. DFW is here simply satirizing contemporary concerns 4$R!)
c. DFW’s invention of Subsidized Time |!(8c>]Bo
d. he uses sci fi elements d.f0OhQ
27. DFW’s invention of Subsidized Time exemplifies _______________. Lc~m`=B
a. the ubiquitous presence of advertising in contemporary daily life I7vP*YE 7F
b. the commercialization of American society w"0$cL3
c. the endless loop of history {jD?obs
d. American post modernism F/2cQ.u2
28. Following Roland Barthes, which of the following titles would be an example of prolepsis? o'lG9ePM|
a. War and Peace. /D"T\KNWr
b. The Real life of Sebastian Knight 3X(^`lAf)
c. Mousetraps and their Influence on the Character and Achievement of the Feline Race. |va@&;#wf
d. The Life and Opinions of the Tomcat Murr wwl,F=| Y
29. An innovation by DFW to post modern fiction is exemplified by ________________. /K!)}f(6
a. the unreliable narrator <l1/lm<#
b. the distrust of academic discourse TzC(YWt
c. the process of metonymic expansion cPtDIc,
d. fictional, spurious, lost or simply unknown/unread works ),{3LIr
30. The title of the novel suggests that it is ________________. HJr/N)d
a. an allegory r^"o!,H9q
b. a parody 9-n]_AF`0
c. an apophasis >*!T`P}p
d. a procatalepsis ~jw:4sG
Passage 3 _,^f,WO~
According to the Koran, it was on a Tuesday that Allah created darkness. Last September 11, w8D8\`i!"
when suicide pilots were crashing commercial airliners into crowded American buildings, I did not pJg:afCg
have to look to the calendar to see what day it was: Dark Tuesday was casting its long shadow 3R/6/+S-
across Manhattan and along the Potomac River. I was also not surprised that despite the seven or so {Q/@ Y.~<
trillion dollars that we have spent since 1950 on what is euphemistically called “defense,” there 9>+>s ?IgK
would have been no advance warning from the FBI or CIA or Defense Intelligence Agency. t>]W+Lx#
While the Bushites have been eagerly preparing for the last war but two—missiles from North 1%M^MT%&
Korea, clearly marked with flags, would rain down on Portland, Oregon, only to be intercepted by IO#)r[JZ
our missile-shield balloons—the foxy Osama bin Laden knew that all he needed for his holy war on TPb&";4ROf
the infidel were fliers willing to kill themselves along with those random passengers who happened F@/syX;bb5
to be aboard hijacked airliners. kk126?V]_
For several decades there has been an unrelenting demonization of the Muslim world in the =SJ[)|
American media. Since I am a loyal American, I am not supposed to tell you why this has taken akw:3+`
place, but then it is not usual for us to examine why anything happens; we simply accuse others of &[\zs&[@y
motiveless malignity. “We are good,” G.W. proclaims, “They are evil,” which wraps that one up in y~_x
a neat package. Later, Bush himself put, as it were, the bow on the package in an address to a joint ~i^,Z&X:
session of Congress where he shared with them—as well as with the rest of us some-where over the IAd^$9
Beltway—his profound knowledge of Islam’s wiles and ways: “They hate what they see right here WV}pE~
in this Chamber.” I suspect a million Americans nodded sadly in front of their TV sets. “Their l$BKE{rg
leaders are self-appointed. They hate our freedoms, our freedom of religion, our freedom of speech, /X
R
gsF
our freedom to vote and assemble and disagree with each other.” At this plangent moment what i_6 wD
American’s gorge did not rise like a Florida chad to the bait? (`n*d3
A member of the Pentagon Junta, Rumsfeld, a skilled stand-up comic, daily made fun of a @TKQ_7BcB
large group of “journalists” on prime-time TV. At great, and often amusing, length, Rummy tells us ?fs#K;w
nothing about our losses and their losses. He did seem to believe that the sentimental Osama was i\36 s$\
holed up in a cave on the Pakistan border instead of settled in a palace in Indonesia or Malaysia, UIQ=b;J9
two densely populated countries where he is admired and we are not. In any case, never before in b(ryk./ogx
our long history of undeclared unconstitutional wars have we, the American people, been treated /C<} :R
with such impish disdain—so many irrelevant spear carriers to be highly taxed (those of us who are /?j^Qu
not rich) and occasionally invited to participate in the odd rigged poll. h^9Ne/s~
The Bush administration, though eerily inept in all but its principal task, which is to exempt the Q6Zh%\+h(
rich from taxes, has casually torn up most of the treaties to which civilized nations subscribe—like s|!b: Ms`
the Kyoto Accords or the nuclear missile agreement with Russia. The Bushites go about their -JF|770i
relentless plundering of the Treasury and now, thanks to Osama, Social Security (a supposedly of<>M4/g4y
untouchable trust fund), which, like Lucky Strike green, has gone to a war currently costing us $3 Z
.LF5ur
billion a month. They have also allowed the FBI and CIA either to run amok or not budge at all, FH H2
leaving us, the very first “indispensable” and—at popular request—last global empire, rather like 6ud<B
the Wizard of Oz doing his odd pretend-magic tricks while hoping not to be found out. Meanwhile, ;Wr,VU]
G.W. booms, “Either you are with us or you are with the Terrorists.” That’s known as asking for it. dR/UXzrc
Comprehension Questions: ZsPBs4<p
K[TMTn
+FVcrL@
31. The author believes that America’s defense spending ______________. {_MU0=7c\
a. protects the national security ")M.p_b[Z=
c. primarily fights terror f{z%P I[
b. is good for humanity 7!N5uR
d. is a misnomer )@`w^\E_~_
32. The author uses the term “rigged pole” to ______________. IO_H%/v"jC
a. cast doubt upon the voting process B&Ci*#e
b. refer to public opinion polls z06pX$Q.<
d. add humor to an otherwise serious article k~?}z.g(
c. remind the reader of political corruption $v oyXi`*
33. In the essay, President George W Bush’s use of dichotomy is portrayed as ______________. w)8@Tu:Q
a. jingoistic and rational b. misleading and simplistic ~ pdf'
c. well-considered and politically expedient d. effective rhetoric that will stand the test of time x!.VWG tb
34. The use of the term “Pentagon junta” indicates the author’s belief that ______________. u!`C:C'
a. the Pentagon has transformed into a populist political machine |~CnELF)
b. the leaders of America’s military establishment were overrepresented in Bush’s White House ?HcA&
c. the military-industrial complex has taken control of America’s political process $xZk{ rK
d. journalists have not been able to get solid information from the Bush administration OB^2NL~Q~
35. When the author mentions the Tresury, Social Security, the FBI, and the CIA, he intends to xNqQbkF
highlight the fact that ______________. B# H
a. war-related expenses are like magic tricks #"yf^*wX
b. America is spending harmful amounts of money on “security” V=*J9~K
c. it is difficult to fund the American empire kL|Y-(FPo%
d. America’s empire is not popular, but it may be necessary to maintain “security” n)7icSc
Passage 4 Y-c~"#
The ground broken by Freud and Breuer’s pronouncement, in the “Preliminary ipp_?5TL
Communication” concerning the psychogenesis of hysteria, that “hysterics suffer mainly from yl ;'Ru:
reminiscences” brought to view the tangled roots linking the developing concept of a hidden and "AK3t'
jF*
powerful unconscious with nineteenth century anxieties concerning memory’s absence and excess. pNJM]-D]m~
Freud’s later emphasis upon fantasy, rather than memory, in his revised writings on hysteria’s
n1/lE)
aetiology can be regarded, in part, as the vanquishing of memory’s unbiddability by fantasy’s S7q&|nI
origins in unconscious wishes and anxieties. bg*{1^
Two qualifying currents ran through this new emphasis upon fantasy and desire rather than -d3y!|\>a
upon involuntary memory. First, the issue of personal responsibility raised by this new emphasis on
ck~xj0
unconscious sexual and violent fantasies was mitigated by Freud’s consolation to his earliest QMxz@HGa|
hysterical patients that “we are not responsible for our feelings”. Second, the possible association ed*AU,^@v
only of fantasy with the determining force of unconscious inner processes. OA=;9AcZ
Hystories, which continues its author’s earlier study of hysteria associates this return with the Aii[=x8
development of a divisive “survivor” culture characterized by blame and vengeful litigation. WO9/rF_
Showalter’s fundamentally Enlightenment critique of this culture suggests that only a renewed /nP=E
emphasis upon fantasy can rescue contemporary western culture from the distortions that threaten v+sbRuo8
its stability and limit its capacity for healthy and democratically organized public life. In short, )\;r
V';
Showalter calls for the nurturing of a psychically enlightened culture within which collective or !v L:P2
individual responsibility can be acknowledged for violent, fearful, or sexual fantasies. .Cus t
The thesis propounded in this polemical and accessible work is that hysteria, despite the views X8x>oV;8
of the psychological establishment, is “alive and well” in the late twentieth century western world, fNJ;{
though in transformed guise. Hysteria’s domain has shifted, argues Showalter, from the clinic to the 1F,_L}=o1s
popular narrative, or “history”, in which various arguably “traumatic experiences” take centre-stage. ix+x-G
TV, the popular press, and e-mail spread hystories with which growing numbers of troubled EvmmQ
individuals are coming to identify. These hystories of ME, Gulf War Syndrome, recovered memory, g:M7/- "
multiple personality disorder, satanic abuse and alien abduction each provide explanatory narratives B-|Zo_7
that allow somatic or psychical symptoms. \W^+vuD8
The sub-title of the US version of Hystories and aspects of its argument foreground the part y}HC\A77uD
played by the speed and spread of contemporary electronic communications in the escalation of >pvg0Fh
hystories. However, Hystories’ argument, in keeping perhaps with the book’s critique of hystories Gnt!!1_8L
themselves, eschews direct accusation. Nevertheless, the sharpest edge of Showalter’s cultural T
6roz
critique of hystories is directed against their crossing of the line from private narratives that enable n;`L5
therapeutic sense to be made of a life, to media-spurred, public, political and judicial “rituals of 9%14k
testimony” that involve accusation and persecution. In a final chapter that warns — a little !@Lc/'w
hysterically perhaps — of the coming hysterical plague, Showalter likens the emergence and 3&fFIab9
proliferation of these public discourses to the witch-hunts of the seventeenth century. She concludes )N6[rw<