PART I: Cloze (20 points) NA9N#;
Directions: Choose the best word(s) for each numbered blank.
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Production workers must be able to do statistical quality control. Production workers must be FR9*WI
able to do just-in-time inventories. Managers are increasingly shifting from a "don't think, do what gm}[`GMU
you are told" to a "think, I am not going to tell you what to do" style of management. )/2J|LxS
This shift occurs not because today's managers are more ___(1)___ than yesterday's managers, lf%Ju$H
but because the evidence is mounting that the second style of management is more ___(2)___ than bTN0 n
the first style of management. But this means that problems of training and motivating the work C=|X]"*:u0
force both become more central and require different models of behavior. yJ!x`RD),w
To be on top of this situation, tomorrow's managers will have to have strong background in BPkqC >w
organizational psychology, human relations, and labor ___(3)___. The MIT Sloan School of quickly Xs7xZ$
management attempts to ___(4)___ our understanding in these areas through research and then FY6!)/P0I7
quickly bring the ___(5)___ of this new research to our students so that they can be leading-edge xIh,UW#
managers when it comes to the human side of the equation. rAZsVnk?
The first three decades after World War II were ___(6)___ in ___(7)___ the United States had a 8rwXbYx
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huge technological lead ___(8)___ all the rest in the world. In a very real sense, ___(9)___ t<QSp6n""
technological competitive. American firms did not have to worry about their technological $IU|zda8
competitiveness because they were ___(10)___. Sx^4Y\\
But that world has disappeared. Today we live in a world where American firms ___(11)___ @rT}V>2I
have automatic technological ___(12)___. In some areas they are still ahead, in some areas they are oykqCN
_ jLLZZPBK
__(13)___, and in some areas they are behind, but on average, they are average. ,\cO>y@
___(14)___ this means is that American managers have to understand the forces of technical gvx
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change in ways ___(15)___ were not necessary in the past. Conversely, managers from the rest of q
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the world know that it is now possible for them to dominate their American competitors if they R?K[O
understand the forces of technical change better than their American competitors do. l~v
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In the world of tomorrow managers cannot be technologically ___(16)___ ___(17)___ their \X?GzQkr
functional tasks within the firm. They don't have to be scientists or engineers inventing new R6KS&Ge_
technologies, ___(18)___ they have to be managers who understand when to bet and when not bet c[xH:$G?Y
on new technologies. If they ___(19)___ what is going on and technology effectively becomes a yj+HU5L4
black box, they ___(20)___ to make the changes. They will be losers, not winners.
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1 a. enlightened b. enlightening c. enlightenment d. enlighten AX= 4{b'
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2 a. sterile b. producing c. productive d. extravagant [qEd`8V(
3 a. economics b. economic c. economy d. economies JZS#Q\JN
4 a. take b. arouse c. rise d. advance HAi'0%"
5 . a. results b. evidence c. content d. fruits Ehv*E
6 a. usual b. flawed c. unusual d. unessential ]_ON\v1
7 . a. which b. / c. that d. those jPjFp35;zb
8 a. by b. over c. on d. upon bz=B&YR
9 a. was the world not b. the world was not c. did the world be not d. was not the world 6_w;dnVA
10 a.superior b. super c. inferior d. junior ~e)`D nJ
11 a. still b. even c. neither d. no longer pxs#OP
12 a. superiority b. inferiority c. majority d. minority #CaT0#v
13 a. common b. average c. ignorant d. exceptional k7\h- yn{
14 a. How b. That c. What d. Which q-;z!iq|!
15 a. that b. they c. those d. who :]viLw\&g
16 a. illiterate b. sophisticated c. literate d. omniscient 7Qc
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17 a. regardless b. in spite of c. despite d. regardless of cTR@
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18 a. and b. likewise c. furthermore d. but 4l6+8/Y
19 a. didn’t understand b. don't understand c. haven’t understood d. hadn’t understood ezC2E/#
20 a. failed b. would have failed c. would fail d. would be failed v/Z!Wp1LV
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PART II: Reading Comprehension (30 points) %:P&!F\?
Directions: Choose the best answers based on the information in the passages below. t&r-;sH^[
Passage 1 {=Y.Z1E:
The leaders of the mythopoetic men's movement believe that modernization has led to the 22|a~"Z
feminization of men. Mythopoets believe that the rise of the urban industrial society "trapped men %Tn0r|K
into straitjackets of rationality, thus blunting the powerful emotional communion and collective ]Y%?kQ^
spiritual transcendence that they believe men in tribal societies typically enjoyed". Most DKjkO5R\
importantly, the movement seeks to restore the "deep masculine" to men who have lost it in their {hr+ENgV
more modern lifestyles. Other causes for the loss of the "deep masculine" include: Men no longer `xO9xo#
being comrades who celebrated their masculinity together. Rather, they had become competitors Felu`@b
within their workplaces; Men spending more time in their houses with women than they did with d
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men (in non-competitive terms outside of work). Excessive interaction with women generally kept IXmtjRv5
men from realizing their internal masculinity; Feminism is bringing attention to the “feminine
6<h?%j(
voice.” Through this, the mythopoetic men felt that their voices had been muted (though Bly and >lo,0oG
others are careful in not blaming feminism for this); The separation of men from their fathers kept vsjl8L
them from being truly initiated into manhood, and was a source of emotional damage. Men were *}t,:N;i
suffering further emotional damage due to feminist accusations about sexism. Men should celebrate 6o_t;cpT
their differences from women, rather than feeling guilty about them. Men is being discouraged from Hd1e9Q,:|
expressing their emotions. Male inexpressivity is an epidemic and does not correspond to their ;+dB-g[
"deep masculine" natures. Groups of primarily white, middle-aged, heterosexual men from the ^_5Nh^
professional class retreated from their female loved ones in order to join in spiritual rituals that SWX;sM
emphasized homosociality, with the central goal of reclaiming the parts of their masculinity that %n3lm(-0U
they had lost called the "deep masculine." Because most men no longer perform masculine rituals, p +O2:
mythopoets assert that men have mutated into destructive, hypermasculine chauvinists, or, in the 9tW=9<E
opposite direction, have become too feminized. The mythopoetic men performed rituals at these F 8\nAX
gatherings, which were meant to imitate those performed by tribal societies when men initiated D(MolsKc?
boys into a deeply essential natural manhood. The movement emphasized the importance of )"im|9
including multiple generations of men in the rituals, so that the men could learn about masculinity Z /-!-
from those who were older and wiser. Characteristic of the early mythopoetic movement was a 7/"g}
F}Q
tendency to retell myths, legends and folktales, and engage in their exegesis as a tool for personal $e=pdD~
insight. Using frequent references to archetypes as drawn from Jungiananalytical psychology, the zCdQI
movement focused on issues of gender role, gender identity and wellness for the modern man (and cO,ELu
woman). Advocates would often engage in storytelling with music, these acts being seen as a NR8YVO)5$
modern extension to a form of "new ageshamanism" popularized by Michael Harner at SBnwlM"AN
approximately the same time. The movement sought to empower men by means of equating L{K:XiPn
archetypal characters with their own emotions and abilities. For instance, Michael Messner C F2*W).+
describes the concept of "Zeus energy" as emphasizing "male authority accepted for the good of the {L[n\h.4.
community". Beliefs about the emotional system based in archetypes of great men, mythopoets x[Xj[O
sought to channel these characters in themselves, so that they could unleash their "animal-males". \:cr2 w'c
This group primarily analyzed the archetypes of King, Warrior, Magician, Lover and Wildman. -5Qsc/s&
As a self-help movement the mythopoetic movement tends not to take explicit stances on qB`zyd8yu
political issues such as feminism, gay rights or family law (such as the issues of divorce, domestic 6vVx>hFJ47
violence or child custody), preferring instead to stay focused on emotional and psychological <lHelX=/
well-being. Because of this neutrality, the movement became a site of social criticism by feminists, ,t4g^67R{
and was often characterized as anti-intellectual as well as apolitical. Michael Messner once gave a o|\0IG(\
speech at a gathering, in which he addressed the dangers of celebrating the warrior, as instances of T&_!AjH
rape are higher in countries that glorify war. The mythopoets responded that they were not PTfy#
interested in intellectual or political pursuits, but were primarily concerned with conducting _ri1RK,
spiritual and emotional work. Additional feminist critique revolved around the movement's absence f
n9[Li
of women's perspectives, as well as the essentialism in the movement's teachings. ^c1%$@H
Comprehension Questions: <(Ub(
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21. The mythopoetic men's movement can best be understood as ________________. JO:40V?op
a. a men’s literary movement eW
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c. a men's rights movement M{S7tMX
b. a men's liberation movement ?MevPy`H
d. a second-wave feminist movement 41y}n{4n8
22. The mythopoetic men's movement consists of groups of men who retreated from their female 4&I
BNc,sn
loved ones in order to strive for ________________. 7dl]f#uZU
a. gay rights B mq7w,L.
b. same-sex marriage WDr'w'
c. masculinity >#z*gCO5,
d. myths, legends and folktales >jjuWO3T
23. The idea that modernization has led to the feminization of men means that * iW>i^
_________________. 4C2J yP3
a. men cannot be themselves ($^XF: #5
c. men’s voices have changed nA%H`/O{
b. men can no longer make friends "WOY`su>
d. men cannot express themselves SGn:f>N
2 iivuH2/~?[
24. The root issue is ________________. iJ_FJ[ U
a. feminism nfck3h
b. masculinity gio'_X
c. sex 6
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d. gender L_uliBn
25. According to the text, the causes for rape must be sought in _________________. 0IoS|P}6a
a. the celebration of the archetype of the warrior =BpX;n<
b. the unleashing of men’s "animal-males” T!eb=oy
c. domestic violence v|~ yIywf
d. the loss of masculine rituals 4-efnB
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Passage 2 |S#)[83*3
Although in the novel the millennium has been and gone, there are no references at all to real +hg|!SS@5
contemporary American or global political events of the time of writing. Chapstick, Pledge, and H"f%\'
Skevener in their study The Endless Loop of History: Space Time in the work of David Foster .Rxz;-VA
Wallace (London 2001) have already noted the way Infinite Jest divorces itself from history by the f,z_|e
use of sci fi elements. They note how compared with the American post moderns, whose works lTsl=
interact with real historical time, Infinite Jest takes place in an ahistorical, allegorical time. DFW’s :
WejY`}H%
invention of Subsidized Time, and the renaming of years after products and companies shows the a2fV0d6*l
way in which the soul-rotting effects of advertising infect time as well as internal and external $d.UF!s
space (cf: Phillip K Dick’s adverts projected onto the moon in The Man in the High Castle). k0.|%0?K
Otherwise, the ubiquitous presence of advertising in contemporary daily life is absent from the n
*|F=fl
novel. Actually, this is not correct. The theme of waste management (also the underlying structure h_L-M}{OG
of Don DeLillo’s novel Underworld) reflects some of the anxieties of the 90s, the decade in which x7 jE
Ns )
the novel was written: namely, global warming, environmental concerns, nuclear waste gS~QlW V
management, including its export to third world countries, the trading of carbon emission points, [9NzvC 9I
futures swaps in carbon footprints etc. DFW is here simply satirizing contemporary concerns; and a I?@9;0R
Freudian reading of this theme is both unnecessary and not really illuminating, Don Gately’s work # (B <n
as a shit hoser notwithstanding. DFW’s use of spurious knowledge and scholarship (including a io^^f|
spurious academic apparatus at the back of the book) has been amply commented on, especially the 5
rkIK
doubtful physics of J.O. Incandenza’s work with lenses and nuclear annulation, and the iffey math /qA\|'~
involved in the Eschaton game. By his use of the spurious DFW is not only satirizing the discourse D_@WB.eL
of academic knowledge, but making a serious point about the extent and typology of knowledge + |MHi C
itself. Once knowledge becomes so specialized as to become comprehensible to only a very few uqPagt<
those firmly inside the discourse- what status does that knowledge gain? To those outside the Im
i)YC
discourse, the knowledge can only be taken on trust, and therefore all manner of hoods may be '+^HeM^;
winked. In this case the boundaries between the fictional and the real become blurred, a matter for !lp*0h(7
argument. We are used to questioning the reliability of the narrative voice in fiction, but not so able rI)op1K
to question in the same way the reliability of academic discourse or specialist knowledge. The }$r/#F/Fn
presence of the spurious next to the real infects the real, inviting us to extend our distrust of |13UJ
vR
fictional narrative to non-fictional exposition, the fiction (le mensonge) and the truth become Q1? !,a
mirrors of each other. The title of a work stands in metonymic relationship to the content of the e*.
l6H/B
work: War and Peace, for example, signifies the two main themes and structuring devices of that Vr0-e
vwfo
novel. For existing books, (real, read books), the title summons up everything we know or 8.bIP
ju%v
remember about the book. Where that work is non-existent (fictional, spurious, lost or simply k\X1`D}R
unknown/unread) the title acts as an empty signifier, which we can fill with our imagination, q"4{GCavN
effectively writing the work ourselves in a flash. Barthes calls these bookless titles prolepses; 7(AB5.O
Nabokov creates summaries and detailed commentaries for them (in Pale Fire and The Real life of 2bwf(
Sebastian Knight); Borges bases his whole stylistics on this process of metonymic expansion; and |GJSAs"L@
Eco fills entire imaginary libraries with these fantastical books. DFW for his imaginary works, like 1>bG]l1//
Hoffmann, has a penchant for excessively long and humorous titles, whose length guides us in this aaW(S
K
process of creation cf: Good Looking Men in Small Clever Rooms that Utilize Every Centimeter of Ub!MyXd{q
Available Space With Mind-Boggling Efficiency (title of one of J.O. Incandenza’s entertainments), ," ~ew ,
and Mousetraps and their Influence on the Character and Achievement of the Feline Race (title of D9^.Eg8W
one of Murr’s books from Hoffmann’s The Life and Opinions of the Tomcat Murr). hOjy$Z
zsnXPRF
Comprehension Questions: X8aN
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26. According to the author, the use of some of the anxieties of the 90s does not contradict the Y}BT|
"
proposition that the novel Infinite Jest takes place in an ahistorical time because ,;9byb
______________. A7,TM&
a. the millennium has been and gone Kt5;GUV
b. DFW is here simply satirizing contemporary concerns ?v?b%hK!;
c. DFW’s invention of Subsidized Time X;/~d>@
d. he uses sci fi elements $/sIdFZi
27. DFW’s invention of Subsidized Time exemplifies _______________. Obwj=_+upd
a. the ubiquitous presence of advertising in contemporary daily life Ux5pw
b. the commercialization of American society \UZlFE
c. the endless loop of history 4,kdP)Md$
d. American post modernism e7rD,`NiV
28. Following Roland Barthes, which of the following titles would be an example of prolepsis? q))rlMo
a. War and Peace. ]Q-*xho
b. The Real life of Sebastian Knight {x$WBy9
c. Mousetraps and their Influence on the Character and Achievement of the Feline Race. P:,@2el
d. The Life and Opinions of the Tomcat Murr zi M~V'
29. An innovation by DFW to post modern fiction is exemplified by ________________. fHK`u'
a. the unreliable narrator @T>\pP]o
b. the distrust of academic discourse -'ff0l
c. the process of metonymic expansion tB-0wD=PR
d. fictional, spurious, lost or simply unknown/unread works }',/~T6
30. The title of the novel suggests that it is ________________. Ei@w*.3P<
a. an allegory ?Ybgzb
b. a parody Yn!)('FdT!
c. an apophasis h+ixl#:
d. a procatalepsis VHwAO:+-
Passage 3 ECq(i(
According to the Koran, it was on a Tuesday that Allah created darkness. Last September 11, R'M=`33M
when suicide pilots were crashing commercial airliners into crowded American buildings, I did not Ll4/P[7:?
have to look to the calendar to see what day it was: Dark Tuesday was casting its long shadow [1Cs
across Manhattan and along the Potomac River. I was also not surprised that despite the seven or so &d1|B`gL|
trillion dollars that we have spent since 1950 on what is euphemistically called “defense,” there 9eG{"0)
would have been no advance warning from the FBI or CIA or Defense Intelligence Agency. 0^
?:Zds
While the Bushites have been eagerly preparing for the last war but two—missiles from North L-J 7z+{
Korea, clearly marked with flags, would rain down on Portland, Oregon, only to be intercepted by LU'<EXUbY
our missile-shield balloons—the foxy Osama bin Laden knew that all he needed for his holy war on @D$^-
S6
the infidel were fliers willing to kill themselves along with those random passengers who happened s
@AGU/v
to be aboard hijacked airliners. "gaurr3
For several decades there has been an unrelenting demonization of the Muslim world in the q6R``
American media. Since I am a loyal American, I am not supposed to tell you why this has taken W|C>X=zTi
place, but then it is not usual for us to examine why anything happens; we simply accuse others of o|r8x_!+
motiveless malignity. “We are good,” G.W. proclaims, “They are evil,” which wraps that one up in $q}zW%
a neat package. Later, Bush himself put, as it were, the bow on the package in an address to a joint T9&-t7:
session of Congress where he shared with them—as well as with the rest of us some-where over the V]4g-
CS[
Beltway—his profound knowledge of Islam’s wiles and ways: “They hate what they see right here uP;qs8
in this Chamber.” I suspect a million Americans nodded sadly in front of their TV sets. “Their S}mZU!
leaders are self-appointed. They hate our freedoms, our freedom of religion, our freedom of speech, |r|<cc#
our freedom to vote and assemble and disagree with each other.” At this plangent moment what \&[Jtv *
American’s gorge did not rise like a Florida chad to the bait? nw.,`M,N
A member of the Pentagon Junta, Rumsfeld, a skilled stand-up comic, daily made fun of a cD&Q