PART I: Cloze (20 points) yTd8)zWq
Directions: Choose the best word(s) for each numbered blank. nD
C0^&
Production workers must be able to do statistical quality control. Production workers must be 6^'BTd
able to do just-in-time inventories. Managers are increasingly shifting from a "don't think, do what `2@.%s1o=
you are told" to a "think, I am not going to tell you what to do" style of management. J>}J~[ap\J
This shift occurs not because today's managers are more ___(1)___ than yesterday's managers, eyyME c!
but because the evidence is mounting that the second style of management is more ___(2)___ than "hf
|7E_
the first style of management. But this means that problems of training and motivating the work + tMf&BZ
force both become more central and require different models of behavior. 0Z8"f_GK
To be on top of this situation, tomorrow's managers will have to have strong background in tWIJ,_8l
organizational psychology, human relations, and labor ___(3)___. The MIT Sloan School of quickly rYr*D[m]
management attempts to ___(4)___ our understanding in these areas through research and then
qt~=47<d
quickly bring the ___(5)___ of this new research to our students so that they can be leading-edge DHWz, M
managers when it comes to the human side of the equation. z6ObX
The first three decades after World War II were ___(6)___ in ___(7)___ the United States had a "G K9Y
huge technological lead ___(8)___ all the rest in the world. In a very real sense, ___(9)___ Y/FPkH4
technological competitive. American firms did not have to worry about their technological :h{uZ,#Gi
competitiveness because they were ___(10)___. s;Gd`-S
>d
But that world has disappeared. Today we live in a world where American firms ___(11)___ 9aJIq{ `E
have automatic technological ___(12)___. In some areas they are still ahead, in some areas they are 06S
R74
_ 4D0jt$==
__(13)___, and in some areas they are behind, but on average, they are average. <:}nd:l1
___(14)___ this means is that American managers have to understand the forces of technical h= sNj
change in ways ___(15)___ were not necessary in the past. Conversely, managers from the rest of hGz_F/
the world know that it is now possible for them to dominate their American competitors if they nMyl(kF[
understand the forces of technical change better than their American competitors do. Cd}^&z
In the world of tomorrow managers cannot be technologically ___(16)___ ___(17)___ their gA!@oiq@
functional tasks within the firm. They don't have to be scientists or engineers inventing new DW. w=L|5R
technologies, ___(18)___ they have to be managers who understand when to bet and when not bet !@=S,Vc.
on new technologies. If they ___(19)___ what is going on and technology effectively becomes a OM*c7&
black box, they ___(20)___ to make the changes. They will be losers, not winners. SMX]JZmH
1 a. enlightened b. enlightening c. enlightenment d. enlighten l;lrf3
W,<q!<z\t
2 a. sterile b. producing c. productive d. extravagant o.{W_k/n
3 a. economics b. economic c. economy d. economies B.q/}\
?(
4 a. take b. arouse c. rise d. advance ;
Bs~E
5 . a. results b. evidence c. content d. fruits 8:,($a/KF
6 a. usual b. flawed c. unusual d. unessential I=y7$+7%
7 . a. which b. / c. that d. those Jb QK$[z"
8 a. by b. over c. on d. upon r)*23 &Ojs
9 a. was the world not b. the world was not c. did the world be not d. was not the world
hmu>s'
10 a.superior b. super c. inferior d. junior &lQ%;)'
11 a. still b. even c. neither d. no longer V?uT5.B2
12 a. superiority b. inferiority c. majority d. minority 3p0v
13 a. common b. average c. ignorant d. exceptional g#J`7n
14 a. How b. That c. What d. Which qjB:6Jq4q
15 a. that b. they c. those d. who tbFAVGcAM
16 a. illiterate b. sophisticated c. literate d. omniscient &93{>caf+
17 a. regardless b. in spite of c. despite d. regardless of 2J7|y\N,
18 a. and b. likewise c. furthermore d. but F]a
oTy
19 a. didn’t understand b. don't understand c. haven’t understood d. hadn’t understood 1BSd9Ydj
20 a. failed b. would have failed c. would fail d. would be failed Xs0)4U
2q~.,vpP
nip6|dN
. azP H~'E'
PART II: Reading Comprehension (30 points) K:,V>DL
Directions: Choose the best answers based on the information in the passages below. "q=Cye
Passage 1 pbH!u+DF
The leaders of the mythopoetic men's movement believe that modernization has led to the d^ C@5Pd
<
feminization of men. Mythopoets believe that the rise of the urban industrial society "trapped men Ykxk`SJ
into straitjackets of rationality, thus blunting the powerful emotional communion and collective ?doI6N0T
spiritual transcendence that they believe men in tribal societies typically enjoyed". Most ,!#Am13
importantly, the movement seeks to restore the "deep masculine" to men who have lost it in their mY"7/dw<v
more modern lifestyles. Other causes for the loss of the "deep masculine" include: Men no longer 6TP
/0o)
being comrades who celebrated their masculinity together. Rather, they had become competitors 1d5%(:@
within their workplaces; Men spending more time in their houses with women than they did with {wqT$( (<
men (in non-competitive terms outside of work). Excessive interaction with women generally kept `3;EJDEdbi
men from realizing their internal masculinity; Feminism is bringing attention to the “feminine [LYO'-g^F#
voice.” Through this, the mythopoetic men felt that their voices had been muted (though Bly and @j!,8JQEd
others are careful in not blaming feminism for this); The separation of men from their fathers kept $vs],C"pX
them from being truly initiated into manhood, and was a source of emotional damage. Men were fap`;AuwK
suffering further emotional damage due to feminist accusations about sexism. Men should celebrate 'S`l[L:.8
their differences from women, rather than feeling guilty about them. Men is being discouraged from ~y<0Cc3Vs
expressing their emotions. Male inexpressivity is an epidemic and does not correspond to their :""Hyj
Y!
"deep masculine" natures. Groups of primarily white, middle-aged, heterosexual men from the nWd!ovd
professional class retreated from their female loved ones in order to join in spiritual rituals that wC1pfXa
emphasized homosociality, with the central goal of reclaiming the parts of their masculinity that 67j kU!
they had lost called the "deep masculine." Because most men no longer perform masculine rituals, V]H(;+^P
mythopoets assert that men have mutated into destructive, hypermasculine chauvinists, or, in the )z[C=
opposite direction, have become too feminized. The mythopoetic men performed rituals at these $
$9H1)Ny
gatherings, which were meant to imitate those performed by tribal societies when men initiated p6DI7<C<H
boys into a deeply essential natural manhood. The movement emphasized the importance of R{g=
N%O
including multiple generations of men in the rituals, so that the men could learn about masculinity F2N"aQ&
from those who were older and wiser. Characteristic of the early mythopoetic movement was a "N+4TfXy
tendency to retell myths, legends and folktales, and engage in their exegesis as a tool for personal Zbczbnj
insight. Using frequent references to archetypes as drawn from Jungiananalytical psychology, the JwG(WLb:
movement focused on issues of gender role, gender identity and wellness for the modern man (and l.}PxZ
woman). Advocates would often engage in storytelling with music, these acts being seen as a 5rsz2;#p
modern extension to a form of "new ageshamanism" popularized by Michael Harner at \BHZRytQF
approximately the same time. The movement sought to empower men by means of equating v "l).G?
archetypal characters with their own emotions and abilities. For instance, Michael Messner 6z\!lOVjb
describes the concept of "Zeus energy" as emphasizing "male authority accepted for the good of the " MnWd BS
community". Beliefs about the emotional system based in archetypes of great men, mythopoets !tq]kKJ3:
sought to channel these characters in themselves, so that they could unleash their "animal-males". |8` }8vo)
This group primarily analyzed the archetypes of King, Warrior, Magician, Lover and Wildman. d"|_NG` vr
As a self-help movement the mythopoetic movement tends not to take explicit stances on cH_qHXi[G
political issues such as feminism, gay rights or family law (such as the issues of divorce, domestic /pF8S!,z
violence or child custody), preferring instead to stay focused on emotional and psychological 3@~a)E}T
well-being. Because of this neutrality, the movement became a site of social criticism by feminists, tddwnpnSw
and was often characterized as anti-intellectual as well as apolitical. Michael Messner once gave a kFjv'[Y1N
speech at a gathering, in which he addressed the dangers of celebrating the warrior, as instances of I~l
qg
rape are higher in countries that glorify war. The mythopoets responded that they were not 4)iP%%JH
interested in intellectual or political pursuits, but were primarily concerned with conducting An_(L*Qz
spiritual and emotional work. Additional feminist critique revolved around the movement's absence YP,,vcut
of women's perspectives, as well as the essentialism in the movement's teachings. ! $JX3mP
Comprehension Questions: 3eY>LWx
Noj*K6
P5my]4|x
21. The mythopoetic men's movement can best be understood as ________________. 4q.;\n
a. a men’s literary movement q
4Pv\YO
c. a men's rights movement .u mqyU~
b. a men's liberation movement k<*v6
sNs;
d. a second-wave feminist movement & %/p;::A
22. The mythopoetic men's movement consists of groups of men who retreated from their female |47t+[b
loved ones in order to strive for ________________. J* !_O#
a. gay rights tQ@7cjq8bA
b. same-sex marriage $6m@gW]N
c. masculinity bIm4s
d. myths, legends and folktales XoD:gf
23. The idea that modernization has led to the feminization of men means that xY?p(>(
_________________. 'A|c\sy
a. men cannot be themselves qG,h
1
c. men’s voices have changed =w`Mc\o "
b. men can no longer make friends mh4 VQ9
d. men cannot express themselves }V]*FCpQ
2 }Rz,}^B
24. The root issue is ________________. od#Lad@p
a. feminism y9mV6.r
b. masculinity !84Lvg0&
c. sex M gP|'H3\
d. gender ac\aH#J_nC
25. According to the text, the causes for rape must be sought in _________________. R@grY:h
a. the celebration of the archetype of the warrior DI)"FOM6
b. the unleashing of men’s "animal-males” Yt*NIwWr
c. domestic violence Z42q}Fhm*R
d. the loss of masculine rituals (,sz.
^5MM<73
Passage 2 G[e,7
jev
Although in the novel the millennium has been and gone, there are no references at all to real i|<wnJu
contemporary American or global political events of the time of writing. Chapstick, Pledge, and )0I-N)
Skevener in their study The Endless Loop of History: Space Time in the work of David Foster oeKl\cgFx
Wallace (London 2001) have already noted the way Infinite Jest divorces itself from history by the B (eXWWT_
use of sci fi elements. They note how compared with the American post moderns, whose works ?r
=`Kl
interact with real historical time, Infinite Jest takes place in an ahistorical, allegorical time. DFW’s hQ>$"0K
invention of Subsidized Time, and the renaming of years after products and companies shows the O<wH+k[
way in which the soul-rotting effects of advertising infect time as well as internal and external t{UWb~"
space (cf: Phillip K Dick’s adverts projected onto the moon in The Man in the High Castle). )/f#~$ws
Otherwise, the ubiquitous presence of advertising in contemporary daily life is absent from the O:+y/c
novel. Actually, this is not correct. The theme of waste management (also the underlying structure >r)UDa+
of Don DeLillo’s novel Underworld) reflects some of the anxieties of the 90s, the decade in which j/O9LygB
the novel was written: namely, global warming, environmental concerns, nuclear waste nzxHd7NIZ
management, including its export to third world countries, the trading of carbon emission points, us5Zi# }
futures swaps in carbon footprints etc. DFW is here simply satirizing contemporary concerns; and a `r&Ui%fk;0
Freudian reading of this theme is both unnecessary and not really illuminating, Don Gately’s work lpd~U 2&
as a shit hoser notwithstanding. DFW’s use of spurious knowledge and scholarship (including a 08@4u
L
spurious academic apparatus at the back of the book) has been amply commented on, especially the 2N-p97"g
doubtful physics of J.O. Incandenza’s work with lenses and nuclear annulation, and the iffey math rx]Q,;"
involved in the Eschaton game. By his use of the spurious DFW is not only satirizing the discourse QHXpX9
of academic knowledge, but making a serious point about the extent and typology of knowledge #mioT",bm=
itself. Once knowledge becomes so specialized as to become comprehensible to only a very few 6V9r[,n
those firmly inside the discourse- what status does that knowledge gain? To those outside the L#D)[
v"
discourse, the knowledge can only be taken on trust, and therefore all manner of hoods may be -
q)|I|y*7
winked. In this case the boundaries between the fictional and the real become blurred, a matter for q}'<[Wg
argument. We are used to questioning the reliability of the narrative voice in fiction, but not so able _;x` 6LM
to question in the same way the reliability of academic discourse or specialist knowledge. The l YdATM(h
presence of the spurious next to the real infects the real, inviting us to extend our distrust of (.z0.0W
fictional narrative to non-fictional exposition, the fiction (le mensonge) and the truth become CyVi{"aF3
mirrors of each other. The title of a work stands in metonymic relationship to the content of the ]9<H[5>$R
work: War and Peace, for example, signifies the two main themes and structuring devices of that )abH//Pps.
novel. For existing books, (real, read books), the title summons up everything we know or ),o=~,v:
remember about the book. Where that work is non-existent (fictional, spurious, lost or simply Z@JTZMN_
unknown/unread) the title acts as an empty signifier, which we can fill with our imagination, I8W9Kzf
effectively writing the work ourselves in a flash. Barthes calls these bookless titles prolepses; u3 +]3!BQ
Nabokov creates summaries and detailed commentaries for them (in Pale Fire and The Real life of ca,JQrm
Sebastian Knight); Borges bases his whole stylistics on this process of metonymic expansion; and P$O@G$n
Eco fills entire imaginary libraries with these fantastical books. DFW for his imaginary works, like e'v_eD T^
Hoffmann, has a penchant for excessively long and humorous titles, whose length guides us in this O#^qd0e'P!
process of creation cf: Good Looking Men in Small Clever Rooms that Utilize Every Centimeter of +5GC?cW
Available Space With Mind-Boggling Efficiency (title of one of J.O. Incandenza’s entertainments), :E|+[}|
and Mousetraps and their Influence on the Character and Achievement of the Feline Race (title of t1#f*G5
one of Murr’s books from Hoffmann’s The Life and Opinions of the Tomcat Murr). *xeJ4h
1 j|X
C
Comprehension Questions: 4/x.qoj
26. According to the author, the use of some of the anxieties of the 90s does not contradict the DfOigLG*
proposition that the novel Infinite Jest takes place in an ahistorical time because I$TD[W
______________. Tz(Dhb,
a. the millennium has been and gone grd
fR`3
b. DFW is here simply satirizing contemporary concerns 0KZsWlD:L
c. DFW’s invention of Subsidized Time odvUU#l
d. he uses sci fi elements dKPx3Y'
27. DFW’s invention of Subsidized Time exemplifies _______________. ~4 S6c=:
a. the ubiquitous presence of advertising in contemporary daily life ~W gO{@Mw
b. the commercialization of American society ?G5,x
c. the endless loop of history 61b<6r0o
d. American post modernism X=k|Sa
yE8
28. Following Roland Barthes, which of the following titles would be an example of prolepsis? z)&&Ym#
a. War and Peace. ~VF?T~Kr_
b. The Real life of Sebastian Knight !6+V
c. Mousetraps and their Influence on the Character and Achievement of the Feline Race. )B^T7{
d. The Life and Opinions of the Tomcat Murr (bogA
i3<F
29. An innovation by DFW to post modern fiction is exemplified by ________________. cl'qw##
a. the unreliable narrator aXD|XE%
b. the distrust of academic discourse P9# }aw+
c. the process of metonymic expansion Wc/B_F?2
d. fictional, spurious, lost or simply unknown/unread works ; JHf0
30. The title of the novel suggests that it is ________________. $I3}%'`+
a. an allegory VC NQ}h[D
b. a parody ,xC@@>f
c. an apophasis k'd=|U;(FV
d. a procatalepsis W%
}zwQ
Passage 3 k?Iq 6
According to the Koran, it was on a Tuesday that Allah created darkness. Last September 11,
K&iU
+
when suicide pilots were crashing commercial airliners into crowded American buildings, I did not n\4sNoFI
have to look to the calendar to see what day it was: Dark Tuesday was casting its long shadow -sk!XWW+
across Manhattan and along the Potomac River. I was also not surprised that despite the seven or so #Bas+8
@,
trillion dollars that we have spent since 1950 on what is euphemistically called “defense,” there ,-Yl%R.W=
would have been no advance warning from the FBI or CIA or Defense Intelligence Agency. }$'T=ay&
While the Bushites have been eagerly preparing for the last war but two—missiles from North ohB@ij C!
Korea, clearly marked with flags, would rain down on Portland, Oregon, only to be intercepted by RMxFo\TK;
our missile-shield balloons—the foxy Osama bin Laden knew that all he needed for his holy war on jL#`CD
the infidel were fliers willing to kill themselves along with those random passengers who happened ,y*|f0&"~
to be aboard hijacked airliners. n]WVT@
For several decades there has been an unrelenting demonization of the Muslim world in the E$E#c8I:
American media. Since I am a loyal American, I am not supposed to tell you why this has taken 69{q*qCW
place, but then it is not usual for us to examine why anything happens; we simply accuse others of lyyRyFfQ
motiveless malignity. “We are good,” G.W. proclaims, “They are evil,” which wraps that one up in fnU;DS]W
a neat package. Later, Bush himself put, as it were, the bow on the package in an address to a joint [Xo[J?w],2
session of Congress where he shared with them—as well as with the rest of us some-where over the @7,k0H9Moa
Beltway—his profound knowledge of Islam’s wiles and ways: “They hate what they see right here :0j_I\L
in this Chamber.” I suspect a million Americans nodded sadly in front of their TV sets. “Their .L}k-8
leaders are self-appointed. They hate our freedoms, our freedom of religion, our freedom of speech, 6^"Spf]
our freedom to vote and assemble and disagree with each other.” At this plangent moment what _air'XQ&!
American’s gorge did not rise like a Florida chad to the bait? ]F*fQNcjy
A member of the Pentagon Junta, Rumsfeld, a skilled stand-up comic, daily made fun of a a}/ A]mu
large group of “journalists” on prime-time TV. At great, and often amusing, length, Rummy tells us 8~8VoU&
nothing about our losses and their losses. He did seem to believe that the sentimental Osama was 4:Id8rzz
holed up in a cave on the Pakistan border instead of settled in a palace in Indonesia or Malaysia, Bh<6J&<n
two densely populated countries where he is admired and we are not. In any case, never before in }w/6"MJ[n
our long history of undeclared unconstitutional wars have we, the American people, been treated me&'BQ
with such impish disdain—so many irrelevant spear carriers to be highly taxed (those of us who are K)F6TvWv
not rich) and occasionally invited to participate in the odd rigged poll. Y4I;-&d's
The Bush administration, though eerily inept in all but its principal task, which is to exempt the 2N[/Cc2Tg/
rich from taxes, has casually torn up most of the treaties to which civilized nations subscribe—like XMw*4j2E
the Kyoto Accords or the nuclear missile agreement with Russia. The Bushites go about their Q6rvTV'vv
relentless plundering of the Treasury and now, thanks to Osama, Social Security (a supposedly g.T:72"
untouchable trust fund), which, like Lucky Strike green, has gone to a war currently costing us $3 YGf<!
billion a month. They have also allowed the FBI and CIA either to run amok or not budge at all, Q?
]-/v
leaving us, the very first “indispensable” and—at popular request—last global empire, rather like .*Ylj2nM
the Wizard of Oz doing his odd pretend-magic tricks while hoping not to be found out. Meanwhile, M
A
G.W. booms, “Either you are with us or you are with the Terrorists.” That’s known as asking for it. ;HoBLxb P
Comprehension Questions: bn6WvC3?
2c1L[]h'
Wg!JQRHtT
31. The author believes that America’s defense spending ______________. )4e?-?bK!
a. protects the national security XsbYWJdds
c. primarily fights terror &ws^Dm]R
b. is good for humanity FDC
c?>,o
d. is a misnomer &r)[6a$fW
32. The author uses the term “rigged pole” to ______________. @p ZjJ<9QM
a. cast doubt upon the voting process 2R];Pv
b. refer to public opinion polls P+bA>lJd
d. add humor to an otherwise serious article }WDzzjDR+
c. remind the reader of political corruption x7ZaI{
33. In the essay, President George W Bush’s use of dichotomy is portrayed as ______________. cK.z&y0]
a. jingoistic and rational b. misleading and simplistic f@Yo]F U
c. well-considered and politically expedient d. effective rhetoric that will stand the test of time c8Je&y8
34. The use of the term “Pentagon junta” indicates the author’s belief that ______________. '8w>=9Xl
a. the Pentagon has transformed into a populist political machine B-UsMO
b. the leaders of America’s military establishment were overrepresented in Bush’s White House !
G3Gr
c. the military-industrial complex has taken control of America’s political process J"~!jrzBh(
d. journalists have not been able to get solid information from the Bush administration M>[e1y>7
35. When the author mentions the Tresury, Social Security, the FBI, and the CIA, he intends to QTC!vKM
highlight the fact that ______________. Q>(a JF
a. war-related expenses are like magic tricks "fu:hHq
b. America is spending harmful amounts of money on “security” z3I
|jy1
c. it is difficult to fund the American empire @ Fkhida
d. America’s empire is not popular, but it may be necessary to maintain “security” F:N8{puq5
Passage 4 l"-Z#[
The ground broken by Freud and Breuer’s pronouncement, in the “Preliminary `I.pwst8i-
Communication” concerning the psychogenesis of hysteria, that “hysterics suffer mainly from F3[,6%4v
reminiscences” brought to view the tangled roots linking the developing concept of a hidden and LUdXAi"f
powerful unconscious with nineteenth century anxieties concerning memory’s absence and excess. LXqPNVp#
Freud’s later emphasis upon fantasy, rather than memory, in his revised writings on hysteria’s ?N^1v&Q
aetiology can be regarded, in part, as the vanquishing of memory’s unbiddability by fantasy’s aW-6$=W
origins in unconscious wishes and anxieties. S5V:H Rj{?
Two qualifying currents ran through this new emphasis upon fantasy and desire rather than 9dmoB_G
upon involuntary memory. First, the issue of personal responsibility raised by this new emphasis on "T9UedZ
unconscious sexual and violent fantasies was mitigated by Freud’s consolation to his earliest |az2vD6P
hysterical patients that “we are not responsible for our feelings”. Second, the possible association NSM7n=
*nh
only of fantasy with the determining force of unconscious inner processes. $<yhEvv
Hystories, which continues its author’s earlier study of hysteria associates this return with the d6W\
\6V
development of a divisive “survivor” culture characterized by blame and vengeful litigation. A=3L_
#nO
Showalter’s fundamentally Enlightenment critique of this culture suggests that only a renewed @{W"mc+
emphasis upon fantasy can rescue contemporary western culture from the distortions that threaten 4(p`xdr}K
its stability and limit its capacity for healthy and democratically organized public life. In short, (zh[1
[a
Showalter calls for the nurturing of a psychically enlightened culture within which collective or L&